This month is the book-iversary for Finis., and I haven’t had a lot of time to devote to it while I’ve been promoting The Sharp Edges of Water and starting the school year back up. But I have managed to get a few IG posts. I don’t know if they’re as visually dynamic as the one I made recently for SEW, but they do tell a little bit of a story in a series of three posts. My favorite part of all of this is that these posts contain new character cards for Elsa, Lois, and Gerard that were made by my daughter. Her interpretations of these characters go beyond what I visualized, and I really like them! I’ll let you head over to IG to read the accompanying text, but here are the visual details.
I am not a good photographer. I’m not even a mediocre photographer. I have trouble taking decent pictures of inanimate objects in natural light, let alone anything more complicated than that.
But I’m trying to make the effort over on Instagram to make worthwhile posts. Tonight I made a book post that I actually think might not be too bad. It took me a while. And since I don’t share nearly enough photos here on the blog, I’m sharing it with you here.
This Saturday at 3 p.m. you should drop by Blue Willow Bookshop if you’re in Houston, because we’re having a party there and then for The Sharp Edges of Water. Expect poetry and gifts and merriment. Expect Houston and Los Angeles. Expect mermaids. Bring your questions. It should be fun.
Earlier this summer, while I was in Maine attending an absolutely amazing writing retreat, my parents were in Lebanon. It has been a lifelong goal of my father’s to go there, to see his family there, to see the country his people come from. He was born here in the States, but he has always wanted to go over, and this year he finally took the chance to do it. He and my mom went with a handful of close cousins and a really big tour group.
For my father, this journey was a dream come true. He is a passionately religious man, so he loved that they visited numerous shrines and historical holy places of various faiths. He is intensely devoted to his family, so it was wonderful for him to experience it with his wife and cousins. We are deeply rooted in our Lebanese heritage, so going to see the country and its shores and its many important sites, and to eat its food at every meal and to attend a sahria at night and to spontaneously break out into dabke at lunch with many of the other tourists, was glorious. Two of our cousins occupied the presidency a few decades ago, and so to meet the current president was a little bit of a treat.
I’m happy for my parents to have made and enjoyed this journey, but what their experience taught me is that chasing one’s dreams — as hokey as that sounds, let’s be honest — is a worthwhile pursuit. Seeing the fruition of his dream inspired me to believe a little more confidently in my own.
I’m a hybrid author, as you may be aware. I’ve been published in a variety of ways, including independently, traditionally, and through small presses. One thing I’m still hoping to achieve, though, is agented representation for my literary fantasy novels. They are the biggest and broadest literary endeavor I’ve made to date, and I want to go the full traditional way with them if I can. And this week, that first novel is headed out my electronic door to agents. Wish it good luck, will you?
But it’s Monday. I’ve promised you an earworm.
This is probably my favorite Tom Petty song of all time, and I’m not gonna lie, the video reminds me a little bit of The Man Who Was Thursday by G.K. Chesterton.
What dream are you running down right now? Share it in the comments, if you would, so we can all wish you well on your path.
Today I have a few announcements: some upcoming readings and a sneak preview opportunity for you.
The most exciting news here is my upcoming event at one of Houston’s most beloved independent bookstores, Blue Willow Bookshop! If you’re going to be in town, definitely mark your calendars now for Saturday, August 17th, at 3:00, when I’ll be reading from and discussing The Sharp Edges of Water. This promises to be a fun event with an author Q&A––that’s right, bring your questions for me!––and door prizes and books galore! Even if you already have a copy of my book, come and pick one up as a gift for a friend or family member who likes to read or write. You can check out Blue Willow’s site here for more details. Their address is 14532 Memorial at Dairy Ashford 77079. I don’t mind telling you that the Blue Willow event is a Very Big Deal, and it would be really helpful to make a strong showing there, so please come out for it and pick up one (or more) of my books there!
I’ll also be reading with a few other Mutabilis Press poets at River Oaks Bookstore in Houston on Saturday, August 10th, at 4:00. We’ll celebrating the new anthology, The Enchantment of the Ordinary, and while I’ll be reading my poem from that book, I’ll also be sharing a more recent poem or two, including from the Moss Wood Writing Retreat I attended back in June. The bookstore address is 3270 Westheimer Rd. 77098.
Finally, would you like a sneak preview of my next book? I’m offering my readers the chance to get a free advance reading copy of either of my next two books––one fiction and one poetry, depending on your preference––before they’re published. You’ll even have the opportunity to give me beta-reader feedback on it if you’d like to! In order to take advantage of this offer, just post a review of The Sharp Edges of Water on Amazon. Now, if you follow the writing/publishing industry, you might have heard that Amazon has been taking down people’s reviews in an effort to remove illegitimate ones, though some genuine ones have been removed inadvertently in this process. I have not experienced this (knock on wood!) and also know that all my reviews are genuine and not planted (except for one baffling troll who posted a weird review of Finis. back in the day). Anyway, Amazon has changed the rules for how reviews get accepted. Fortunately, we know how to navigate their guidelines. You can watch a full explanation here, but I’ve summarized the basics for you:
- To contribute a review on Amazon, you have to have spent at least $50 there in the last year, not including promotional discounts.
- Amazon doesn’t allow reviews to be posted from people in the author’s household, or from more than one person connected to any same household or bank account or credit card.
- Amazon doesn’t allow paid reviews, so your review shouldn’t indicate that you’ve received compensation for it.
- Amazon deletes reviews that come in under two days after you’ve purchased a book from them because they assume you can’t possibly have read the book so quickly.
- Avoid sounding too chummy with the author in your review: in other words, please don’t ever refer to the author by their first name only, but by either both first and last name or just their last name or “the author”; also avoid sounding “unbiased” by not indicating in your review that you regularly see the author in person or are friends with them in real life.
Watch the video for a full explanation of how all these things––and others specific to authors and not readers––work, but these simple guidelines I’ve distilled for you will get you most of the way there. To find my book on Amazon, be sure to type in the title and my last name into the search bar. (And once I get 50 reviews, my book will actually get into their searches! So yes, reviews do matter, even if they aren’t 5-star reviews.)
Thank you again for all your love and support, and I hope to see you on August 17th at Blue Willow! Bring your friends. And if you take me up on the review/ARC opportunity, send me a screenshot of your review on Amazon, then tell me which book (fiction or poetry) you’d like to get a sneak preview of. Until then~
All the best.
Two years ago I did something for myself that was so far outside of my self-care comfort zone it changed me: I attended a writing retreat. That’s right, I left my family for the better part of a week and went to Maine to focus entirely on writing. While I was there, I realized that I hadn’t done anything so expansive to nurture my creative self in…well, way too many years. Definitely not since before I had my own family, and maybe not even then.
Last month, I went back.
The Moss Wood Retreats on Penobscot Bay in Maine are a gift to writers. Run by director and author Patricia McMahon, this experience gives you the chance to escape from whatever nightmarish summer weather you’ve been experiencing and settle in with a handful of other authors and just focus on your craft for several days. Two years ago I attended a workshop led by Gregory Maguire, which was glorious, but this year’s retreat, led by poet Josh Kalscheur and Patricia herself, was really different and completely fulfilling. Patricia has moved to a generative format, which means that the bulk of the group sessions focus on the generation of new material.
So most mornings we would have four writing exercises which included excellent prompts and then writing time, followed by voluntary sharing. In the afternoons we were on our own and could work on the pieces we’d written that morning; in the evenings during our after-dinner salons, we would share what we’d worked on, if we wanted to, as well as other poems that we found meaningful or enlivening. I also found time outside of these, including at night in my room before I went to sleep, to work on my own other projects if I wished. (I’ve been editing one of my novels this summer.)
I can honestly say this year’s retreat might have been the most productive week of writing I’ve had in a really long time. Aside from the novel work I did on my own solitary time, I wrote so much poetry. Possibly eight or ten of the poems I produced that week will turn into something publishable.
One of the fun exercises we did over the course of the week was to produce a collection of centos. At its simplest, a cento is a type of found poem in which all the lines come from other places. So every person at the retreat anonymously contributed a page of their writing, either a poem or a page of prose. We then browsed these pages and harvested from them lines we particularly liked and then fashioned those seemingly random lines into new poems. We shared these on our last evening together, and the centos were all so very different in scope and tone and subject! They were also delightful; I really loved finding out which fragments resonated with everyone. Here is my poem:
Moss Wood Cento
Moss Wood Writing Retreat, 2019
Carnivals always start the same way:
three boys, three sharp-rocked beginnings
grabbing clandestine hand-holds;
spirits of slain warriors speaking from open mouths;
a tarantula stabbed with a stick;
the occasional hint of cabaret music.
Between the border of yellow birch and
the far shore of rockbound pine,
the tether of some other-than-temporal sea
pulls and pulls with the urgency of future demands
on the boy-man stashed behind the garage,
dreadful poverty and sadness floating across his face,
a grunt-crank biscuit in one hand and
a two hundred-year-old scroll in the other.
The memory of children’s cotton candied fingers
keeps his brusque demeanor at arm’s length.
He works in the negative, his pattern
a mystery to me, but a crease between the bridge
of his nose and his eyebrows is the absence
of sailboats long since stored for the winter.
Will we learn something by the weight of them?
He and I will never be young enough
again to think that friends don’t die.
You can keep your emptiness;
all I hear is sirens and defiance,
loud as a burst of gunfire through ghosts.
I’ve stopped believing in magic.
We are all dodging death,
scattered, secluded, incidents of light.
The phrase “two hundred-year-old scroll” is from one of my novels, a work in progress, but everything else in this poem came from the other nine people’s fragments. I offer my sincere thanks to all of them for their contributions to my poem.
Late on the last night of the retreat, a bunch of us new friends put on temporary Sherlock tattoos as a lark. (Mine read, “I never guess.”) Then around midnight, when three of us in the upstairs bedrooms were still awake and packing for our departures the next day, some spontaneous slumber party fun broke out. Two of the other ladies decided they wanted to see how long my hair really was and flat-ironed it for me. We squealed like adolescents as we did each other’s hair and helped each other pick out the clothes we would be wearing to travel in the next day — clothes we would wear home to Houston, to Louisiana, to Scotland. We shared pictures of our families from our phones and promised to write. And to write and to write and to write.
If I could, I would attend this retreat every year. It happens in early June, so if it sounds like something you would benefit from, put it on your calendar now. And if you want to hear more about this retreat and its marvelous director, Patricia McMahon, I’ll be interviewing her tonight on the LivingArt show on KPFT; the show begins at 6 p.m. central time.
While you’re waiting for that to happen, please enjoy these lovely photos of the landscape I looked at every day I was there.
I’ve been a little absent on the blog this past month or so because I’ve been traveling quite a bit for my writing. You’ll hear about some of my trips a bit later because I’m also on book deadline and neck-deep in edits for two projects. Wheee!
Last weekend, though, I attended DFWCon in the Dallas area, which is my favorite writing conference ever. It’s the only one I still make sure to attend every year, and it was recently voted the Best Writing Conference in Texas, so there’s that. (You can already register for next year, by the way, and the super early bird price lasts until July 6th. I recommend it. Just click on register and choose the 2020 option from Eventbrite.)
Aside from pitching to agents and seeing a bunch of my friends who don’t live in Houston and having the chance to network with other people in the writing industry, a good conference gives me the opportunity for professional development. Sometimes this means classes on craft, and sometimes seminars on the business side of writing. (I don’t want to give away too much just yet on projects in the works, but there’s a strong chance you’ll find Instagram and a podcast in my future.)
One of the highlights of the conference this year was meeting and hanging out with this guy, whose blog is one of my very favorites. His books on writing craft are also top-notch fun.
Among the most fun classes I attended there was Liara Tamani’s Poetic Prose, a subject I hold near and dear as a cross-genre writer. She talked about what makes lyrical prose stand out and gave us some exercises on how to create it ourselves. Although this is a subject I already know, I liked having the exercises to jumpstart my creative voice at 8:00 on a Sunday morning. I may be super conversational on the blog in an earworm post, but crafting lyrical prose in my more formal creative work is fun.
On the way home from Dallas, this song came on my iPod, and when Aaron commented on its layers, it occurred to me that some features in it are a pretty good example of this kind of writing. What’s your favorite line in this song? Leave it in the comments!
Also, if you have any favorite Instagram accounts or podcasts, leave those in the comments too. I’m interested.
Hey there. This is just a quick post to tell you about two fun events I have coming up this Saturday in Austin, Texas, so if you’re in the area, please do stop by!
First, I’ll be speaking to the Austin Poetry Society that afternoon. Among other poetry- and writing-related goodness, I’ll talk a little about my recent Kickstarter experience and also lead a poetry writing activity. Come join us at 1:00 at the Carver Branch Library (1161 Angelina Street, 78702).
Second, that night I’ll be reading and signing copies at Malvern Books. Nia KB will be sharing the stage with me. Our reading begins at 7:00, and the address is 613 W. 29th St., 78705. Here’s the Facebook event page for it.
Both events in Austin are free and open to the public. I hope to see you there this weekend!
Hey, look! It’s an earworm for your Monday! Woot!
I’ve made a few forays outside of the Hamilton soundtrack lately, but my kids keep pulling me back to it. (I’m not complaining.) And lately I’ve been dipping a toe back into the music I listened to in my twenties. Dar Williams was — and remains — one of my favorite thoughtful singer/songwriters. Enjoy this sweet, intimate, informal rendition of her “When I Was A Boy.”
So what else is happening this fine February in Authorland? I have a couple of big and excellent events coming up and would love to see you there if you’re in the area.
Tuesday, February 19th, FIX Coffee Bar in Houston — I’ll be reading, along with Fady Joudah, at the Poetry FIX series hosted by Mike Alexander. Should be a super fun night!
Saturday, February 23rd, BrazCon in Manvel (very near Houston) — Imagine a cross between Comicpalooza and Teen Book Con, and you get BrazCon! Last year this was one of the best, most well organized events I attended, and I’m thrilled to have been asked back this year. Well worth the half-hour drive to get there! I’ll be on a panel about writing and ideas and such, as well as signing books most of the day.
More events are coming up in March in Houston and Austin; look for those details here soon, but you can always find them on my regular website which hosts my event calendar.
Want me to come visit your book club or writing group or Creative Writing class or favorite poetry and wine bar? Drop me a line and let’s work out the details!
I’m neck-deep in coordinating author events (maybe even a mini-tour!) and working on a new novel right now, and honestly, all I’m listening to these days is the Hamilton soundtrack, so the Monday Earworms are a little thin on the ground. Sorry about that — we’ll get back to them soon, I promise. In the meantime, what are you listening to? Tell us in the comments!
I want to take a moment to highlight three exceptionally worthy projects just made available. Give them some love, won’t you? I think they’re great.
(And stay tuned to the end of this post for a few more exciting newsy bits.)
TWO BLOCKS FROM EMANCIPATION by Casey Fleming
This new blog project by essayist Casey Fleming bravely addresses emancipation in many forms, including on the subject of race. Casey is one of the most compelling essay writers I’ve ever read; she even did an outstanding guest post here years ago for the Fashion Friday series. Here is a brief excerpt from her site about the nature of this new project itself:
To live two blocks from something as wonderful as emancipation–as an ideal, a psychological space, a lived reality–is to live in the border between what’s possible and what’s yet to manifest, between what America aspires to be and what it is. Living on the border is always disquieting and dangerous. Some of us take up permanent residence there, and we must risk speaking from that painful proximity to liberation.
I encourage you to check out Casey’s essays and follow this new project.
UNDER THE FLICKERING LIGHT by Russ Linton
Russ Linton hit the scene a number of years ago with his sci-fi debut Crimson Son, a book which defied typical conventions of the sci-fi/super-hero genre and gave us not just an endearing snarkster extraordinaire in its young adult protagonist Spencer, but also a series set in a compelling literary universe. This new book stands alone but jumps far forward in time to the year 2300 in Spencer’s world, when AI overlords have made some…modifications to our human landscape. Russ has also written some really original fantasy as well. Check out his website for more about his books and his current entertaining and meaningful nomadic adventures in the real world.
I’m a big fan of Russ’ work and hope you’ll give it some attention, too.
THE SOUL SNATCHERS by Richard Sanford
Richard Sanford is one of the fiction authors over at Odeon Press, which is how I know of him, and his new book sounds really exciting! Here’s the blurb about it:
The Soul Snatchers is a sci-fi thriller about social media addiction and cyber derangement. There’s also a love story, a secret code hidden in a mesmerizing mandala, and Svetla, the Bulgarian rideshare driver.
Tzaro Janssen, a seismologist in a next-gen lab in the San Juan Islands, sees his girlfriend Therica become … not herself. Stories like hers are lighting up media around the globe—psychotic breaks, social isolation, explosive violence. And no known cause. At the center is Therica’s obsession, the mega networking platform Wundrus.
From early reviews:
“The Soul Snatchers is an energetic and entertaining romp through Cascadia … a fast-paced and thoroughly enjoyable science fiction thriller with Sixties throwback touches.”
“I thought that The Soul Snatchers by Richard Sanford was a fascinating and fast-paced read. There was no good reason to put the book down … I am usually pretty good at solving mysteries, but was blown away by this one.”
And here’s a statement about the book from Richard himself:
I wrote The Soul Snatchers to be entertaining, but it also has a point to make about something we’re seeing everywhere—isolation, among ourselves and our kids. Everybody’s hyperconnected, but nobody’s talking.
That sounds both topical and timely, doesn’t it?
Now for the promised newsy bits:
I may be adding another reading to my slate for Houston in early March. Stay tuned for details.
I’ve just settled another event in Austin for next month. I’ll be reading at Malvern Books at 7 p.m. on Saturday, March 16th. Come join us! Bring friends! Bring acquaintances and other people you want to impress! Or, you know, just bring yourself, and I’ll be thrilled with that.
I’m also looking at doing an event or two in the area of Blacksburg, Virginia. Drop me a line if you’re out that way and want to come do some booksy, writingsy things with me!
More exciting details about these events will be posted on my website as they become available.
This is going to be a quick post because, wow, it’s a busy week here in Authorland! But a good one. Let’s just get to the news right away, shall we?
The Sharp Edges of Water is out from Odeon Press! Yay! And there was much rejoicing!
Honestly, I’m going to be so happy to be done with logistical details and get back to working on the new novel that I just can’t even. But for now, it’s all about the logistical details, such as…
January 25, Houston — I’ll be at the book launch for the new Mutabilis Press anthology, ENCHANTMENT OF THE ORDINARY, which contains one of my poems. We’ll be at the Jung Center, 5200 Montrose Boulevard, 77006. Doors open at 6:00, and the reading starts at 7:00. I recommend coming early to find good parking.
February 19, Houston — I’ll be one of the featured readers at the Poetry FIX Reading Series at FIX Coffee Bar, 415 Westheimer Road, 77006. The reading starts at 6:30, and the place tends to fill up. I’ve heard Fady Joudah might also be reading that night — exciting!! — and there is always an open-mic opportunity for audience members to sign up to read one poem if they wish.
February 23, Manvel (very near Houston) — I’ll be at BrazCon once again! This was one of the best events I attended last year, and I’m so excited they asked me back. BrazCon is like Teen Book Con meets Comicpalooza — so much fun, really well organized, and totally family-friendly. I’ll be selling my books there and also speaking on at least one panel (details coming soon). BrazCon is held at Manvel High School (an excellent facility) and gets bigger each year, with thousands of attendees generally geeking out to their literary fandoms. Many even come in cosplay, so don’t be shy! This event goes from 9:00-4:00; the address is 19601 Hwy 6; Manvel, TX 77578.
March 16, Austin — I’ve been asked to speak and read at the Austin Poetry Society meeting that afternoon from 1:00-2:15, at the Carver Branch Library. The address is 1161 Angelina Street, 78702. We’ll be talking about writing, Kickstarter, and some other fun things and just might even do a little poetry writing that day. This event is open to the public, so come join us!
ALSO, since I’ll be in Austin that weekend, I would love to get in another reading or signing for either Saturday night or Sunday midday. Watch this space for more details.
If YOU would like to have me talk with your book group or organization or class about writing — poetry or fiction — I’d be happy to! I’m available in person or via video chat. Contact me and let’s go over the details.
And that’s all the news that’s currently fit to print, so if you’ll excuse me, I’m going to get back to working on that new novel I mentioned. Oh happy day!