Poem-A-Day: W.H. Auden (again)

Here’s another poem by Auden. It’s one of my favorites and is my first go-to when teaching ekphrastic poetry. I love that the first stanza of the poem, which comprises more than half of it, isn’t really about the painting at all, but about the theme Auden believed the painter was getting at. This, I think, is the most important aspect to an ekphrastic poem: that it doesn’t really describe the art it’s about so much as it responds to it. It continues a dialogue begun by the initial artist.

This concept might seem simple at first, but I’ve found in teaching this form for many years that it’s not as easy to put into practice. So here’s a bit of a challenge for you, should you choose to accept it: write an ekphrastic poem and either post it at your own online space and link to it here in the comments, or else email it to me at forest [dot] of [dot] diamonds [at] gmail [dot] com. Be sure to include the original artwork you’re responding to. (I still have a spot or two open later this month, and maybe your poem will be curated into the mix here.)

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Musée des Beaux Arts

 

About suffering they were never wrong,
The Old Masters: how well they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer’s horse
Scratches its innocent behind on a tree.

In Breughel’s Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

 

LANDSCAPE WITH THE FALL OF ICARUS by Pieter Brueghel

Poem-A-Day: W.H. Auden

We’ve been thinking a lot lately about tyranny: what it looks like, where it comes from, and how it roots itself in the culture and sprouts into a choking kudzu when too many people aren’t paying attention.

Here’s a poem by W.H. Auden, who lived from 1907 to 1973.

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Epitaph on a Tyrant

 

Perfection, of a kind, was what he was after,
And the poetry he invented was easy to understand;
He knew human folly like the back of his hand,
And was greatly interested in armies and fleets;
When he laughed, respectable senators burst with laughter,
And when he cried the little children died in the streets.

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If you’d like to read some astute analysis on this poem, check out the Interesting Literature blog here.