A Poem from My New Collection and for Tonight of All Nights

Two years ago almost exactly, the day before the 2016 American election, I wrote this poem, which crystallized my nervousness about the outcome and solidified my resolve about the future, no matter what. Looking back on it, I realize that those feelings were only the start of what would come next.

Part of me wanted to write a villanelle and had been trying to write one for days, maybe weeks, but it wasn’t coming. I was trying to riff off Dylan Thomas’ famous one in honor of the anniversary of his birth. But it wasn’t working. It just wouldn’t gel. And the problem wasn’t with the form: villanelles are in my wheelhouse and have been ever since I first learned what they were. I love those old French forms, the villanelle and the sestina and their imitation of the Malaysian pantoum, how they foster an obsession while helping the poet discover more layers of what’s at the heart of the matter. I love the puzzle of it all.

The problem with the poem I was trying to write wasn’t the form or even the subject matter, but with my attempt to emulate Thomas in the first place. Not that he wasn’t worth it — far from it. But I found I was trying to speak the needs of myself and of women in culture while trying to conform to the verses of a man. I was trying to bolster a moment of “the future is female” while not being true to the voice of a female.

I tossed all that mess aside and started over. I kept what I needed from the original and from the form, and I added in a hint of Frost to keep Thomas company. Why not? And then I wrote this poem, which was published right after the election in Yellow Chair Review and which is now appearing in my forthcoming collection The Sharp Edges of Water (from Odeon Press).

Tonight is another election eve. I hope tomorrow, if you are a U.S. citizen and are eligible to do so, you will vote as if your rights depend on it (because there’s a strong chance they do). Tomorrow evening will be another vigil. I have many feelings about it, about how it could go, about how I will react in multiple scenarios. But for now, I’m just going to share this poem with you.

The Path Often Traveled, the Path Less Celebrated, the Path of Ennobled Resistance
(A Rule-Breaking Poem for a Nail-Biting Vigil)

Do not go gentle into that stifling night;
Rage, rage against the snuffing of the light.

Do not go gentle into those good old days which were truly night;
Rage, rage against the smothering of the light.

Do not go gentle into that locker room of night;
Rage, rage against the rape of the light.

Do not go gentle into that back alley of the night;
Rage, rage against the beat-down of the light.

Do not go gentle into that Burning Time of night;
Rage, rage against the murder of the light.

Do not go gentle into that murderous night;
Rage, rage against the silencing of the light.

Do not go gentle into that good old boys’ night;
Rage, rage against the extermination of the light.

Crash ungently into that glass sky, crash into the night,
and be light.

November 7, 2016

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Monday Earworm: Ani diFranco (I know, she’s one of my favorites…)

Tomorrow is Election Day. It’s not a presidential election year or even a Congressional mid-term, and so not a lot of people are likely to show up. When I early-voted last week (halfway through the early voting cycle), I was one of only 1.9% of the eligible voters in my district who had done so.

I cannot stress enough the importance of showing up and participating. Especially if you want change. Please.

If you know me, you know Ani diFranco is one of my very favorite artists, so you’ll get to see a fair bit of her on this blog when I feature music and poetry. This one is not only beautiful, it’s important.