A Quick Reminder About Two Fiction Workshops Coming Up (Just A Few Seats Still Open)

Hello! I hope you’re enjoying this very busy week. (Well, it’s busy for me, but maybe you’re just having a nice week? I hope so.)

This is a very quick note about, as the title of this post suggests, two fiction workshops I’m teaching over the next couple of weekends. Both are three-hour jaunts on a Saturday, conducted via Zoom, and both are classes I’ve taught before and which were super fun so we brought them back! These are generative workshops which include a balanced mix of instruction, writing time, sharing (which is optional), and feedback. We pack all of that into three hours (with a little break in the middle), and the workshops are appropriate for anyone interested in writing fiction. As of yesterday, there were seats available in both classes.

BUILDING A STORY WITH CHARACTER (Writespace)
Saturday, September 24th, 9:30 a.m. – 12:30 p.m.

WRITING FICTION: GOTHIC STORY ELEMENTS (Writespace)
Saturday, October 1st, 1:00-4:00 p.m.

Click this link to be taken to my new CLASSES page here on the blog to learn more about these workshops and to register.

Thanks!

Monday Earworm: Thin Lizzy

School starts this week.

Well, classes start this week. We on the faculty and staff have been back since August 1st. In another post I’ll tell you about the non-sickness-related stuff I did over the summer, but for now I’m just going to share with you an earworm.

The boys are back. So are the girls and the non-binary kids. It’s going to be so good to see them all. And even though this song is about the start of the summer and I’m looking at the end of mine, I think it still works.

Enjoy this little dance break! I’m headed off to go work some more on my Canvas pages…

 

Poetry in September

Why do we write poetry, anyway? It’s not like it’s a lucrative literary market (at least not here in the U.S.). It’s not like the general reading public is clamoring for midnight poetry book release parties. How many contemporary poets can the average person name? How many books of poetry does the average reader have on the shelf?

It’s not about any of that, of course, though all kinds of people read poetry. All kinds of people write poetry, too — not just Fancy Published Authors or “academic types.” And there are so many different kinds of poetry out there, with an extraordinarily wide range of accessibility from light verse to down-to-earth, relatable narrative to completely esoteric, and everything in between.

Poetry allows us to make sense of whatever is swirling inside our minds and our hearts. (Just ask any young person with a diary and a penchant for rhyme.) It’s a gift of language and creativity. Edward Hirsch once said to me that poetry was the intersection of experience and vocabulary, and I thought, among all the different ways people can choose to define poetry, that one idea resonated as a baseline.

Many types of writers can benefit from experimenting with poetry.  Even though I’m primarily a fiction writer now (professionally), my Creative Writing degree is actually in Poetry. I began my university work as a Fiction student but switched my junior year, and after writing nothing but poetry for a few years, when I came back to writing fiction I realized that everything I’d learned about language and syntax from writing poems had made my prose exponentially better.

And now, I still write poetry because it feels like a more comfortable form of meditation in the midst of my uncomfortably busy life. It helps me process my experiences and my reactions to them in a slightly less frenetic way. And — not gonna lie — most poems take a lot less time to write and revise and polish than the average short story or novel, and there’s something akin to instant gratification from being able to do that. It doesn’t entirely feed my obsession with productivity, but it does feel pretty good.

From time to time, I teach Creative Writing classes outside of my day job. (A significant portion of which job, to be clear, is to teach Creative Writing.) These classes, which are geared toward a wider audience than my school-year courses, are often taught on Zoom outside of typical business hours, so working adults can take them no matter where they’re located. I’ve had attendees from other cities, other states, and even other countries come together in these workshops. It’s wonderful! (I should also note that there isn’t a specific age requirement to attend.)

So here is one of the upcoming classes I’ll be teaching this fall, for Grackle & Grackle, and I hope to see you in it! Click on the link to learn more and/or to register. (I recommend registering early to secure a spot. We keep these groups kind of small-ish so everyone gets personal attention and workshop time.)

Poetry: Grounded in Place But Not Confined
4 weeks — Tuesday evenings in September

grackle painting by Kerry James Marshall

Michelle Brittan Rosado wrote that poetry of place “can be a way to dissolve the self into an anonymous landscape” as well as “a map to find ourselves, a space in which to reassemble the annihilated and recover the displaced.” How often has your childhood home been the setting for your dreams?

How often have you returned, in your writing or art or imagination, to the site of a notable first experience? What are the landscapes, real or metaphorical, we have inhabited? What liminal spaces inspire, motivate, or even unsettle us? The places which have mattered most to us live in our subconscious mind long after they stop being physically part of our lives. In this four-week class, we will look at poetry grounded in places both real and imagined. We will dissect both what makes a poem resonate with a reader and what makes particular locations so important to us.

In this generative workshop, we’ll use a variety of prompts to experiment with form and style. You can expect to write new poetry each week and have at least two of your poems workshopped in a collaborative and respectful setting.

***

So, a few typical questions:

Q:  What if I can’t be there every week?
A:  This workshop is four sessions, but if you’re unable to make all of them, you can still participate, and I’ll catch you up on the course materials you miss.

Q:  Is this class for beginners or more advanced poets?
A:  Both emerging writers and published poets will find this course productive and useful. Because my workshops are generative (i.e. we will generate new writing in each session), I use open-ended prompts that will be useful at multiple skill levels. And as a teacher, I strive to meet each student where they are.

Q:  What format will each session follow?
A:  I try to keep things flexible, but generally you can expect some discussion of already published work to explore technique and substance, at least one writing prompt and time to work on it, and a discussion of attendees’ own work in a respectful and supportive atmosphere. Content topics will vary from week to week, centered around a particular theme.

Q:  Okay, but why should I be trying to take a poetry class in these bonkers times?
A:  What better way to reflect on your experiences and reactions to them than through a guided, focused lens that allows you to compartmentalize and process them in a specific, finite block of time?

Here again is the link to learn more about and to sign up for this course. I hope you will join us!

Two Poetry Workshops Happening This Month (A FEW SPOTS STILL OPEN)

There are still some spots open in the two poetry workshops I’m teaching this month, in case you were interested in signing up for them but haven’t yet. Both will be taught on Zoom, so covid surges and geographical distances are not a problem here.  😉

Daily Dose of Poetry is a one-night-only experience through Write About Now as part of their Monday night poetry class series. You can do just mine — happening TOMORROW, June 13th — or get a bundle of weeks at a discount. In this generative workshop, we’ll try our hand at several different poetry prompts designed to kickstart your writing or refresh your writing practice if you’ve been away from it for a while. Each exercise is also translatable, to duplicate or adapt on your own after the workshop ends. You will also get a chance to share and/or workshop what you write during class. Click here for more details and to get the link to register: https://www.eventbrite.com/e/wan-academy-daily-dose-of-poetry-w-angelique-jamail-tickets-254249686657?aff=ang

 

grackle painting by Kerry James Marshall

Poetry: Grounded in Place But Not Confined is a four-week workshop through Grackle & Grackle. We’ll be meeting on Tuesday evenings starting this week, June 14th. In this generative and feedback-oriented workshop, we will look at ways poetry inhabits landscapes both literal and figurative and create poems along that theme. You can expect to write new poetry each week and to have at least two of your poems workshopped in a respectful and supportive environment over the course of the four weeks. (And if you’re able to attend most but not all of the sessions, don’t let that stop you from signing up, as I’m happy to share materials with you if you’re absent.) G&G is also great about offering discounts on their classes, too, so if you need one, try these: 15% sun; 25% squawk; 35% sweat. Click here for more information and to register:  https://grackleandgrackle.com/product/ajsu22poetry/

I hope to see you in either or both of these workshops! Feel free to share with others who might also be interested.

Monday Earworm: Lana Del Rey

It is most emphatically summertime here in my fair city. School is out, at least for many of us. Temps in the mid-90s with a real-feel of over 100, and hurricane season is underway, even if the Texas Gulf Coast won’t likely see a ton of action for a while yet.

So here’s a sultry little swing for early June, courtesy of Lana Del Rey.

And in case you’re looking for some fun workshops to indulge in this month, I’m still teaching a few. My zine workshop (in-person) through Writespace starts Thursday. My one-night-only Daily Dose of Poetry kickstart is online Monday evening next week via Write About Now. And I’m doing a four-week poetry workshop online through Grackle & Grackle starting next Tuesday evening. (Let me know if you want some great discounts on the registration for that one.) All workshops will be generative in nature and will include feedback on your work. Click on those links to register for any and all!

Where, What, and When I’ll Be Teaching in June

So it’s a known fact that I no longer teach summer school. I haven’t for many, many years, because I need that time to focus more on my writing. However, I will be teaching some brief Creative Writing workshops this summer for three marvelous CW organizations, and YOU can take them! Yes, that’s right! And since I’ve had a fair number of questions about them, I’m just going to distill all the information into this post now for you. I will list them in order of when they begin. Enjoy.

CLASS #1: Creating a Zine (a.k.a. “Zines: The Ultimate Adventure in Creative Control”)
WHEN: 4 Thursday evenings, June 9-30, 6:30-8:30 p.m.
WHERE: Writespace — IN PERSON — in Houston

DESCRIPTION: Have you been looking for a way to share your short writings, including ones you’ve created in other Writespace workshops? The subversive, underground art form of the “zine” (short for fanzine) has been the literary world’s best-kept secret for nearly a century. From its roots in science-fiction and fantasy to its established presence in the modern world as a place for art, poetry, and politics, these informal magazines are the ultimate adventure in self-publishing. And best of all, zines are for everyone, every interest, every ability level, and every subject! You need not be a great or experienced artist. Come explore the wide and diverse world of zines through creative writing, art, and craft with award-winning published author Angélique Jamail, the creator of the popular zine Sonic Chihuahua. In this course, you will create your own zine filled with whatever your imagination will allow! This class is appropriate for all skill levels. Attendees will also have an opportunity to participate in Zine Fest Houston, a welcoming mainstay of the zine community, in November.

(Apologies to all those who really want to take this class but who live outside of Houston. If there’s enough interest in my offering a Zoom version in the future, let me know, and I’ll see about making that work. You can leave a note in the comments section of this post or contact me about it directly.)

REGISTER FOR “CREATING A ZINE” BY CLICKING HERE. (The deadline for early bird pricing is Friday, June 3rd.)

CLASS #2:  Daily Dose of Poetry
WHEN:  (one night only!) Monday, June 13th, 6:00-7:30 p.m. (central time)
WHERE:  ON ZOOM through Write About Now as part of their weekly poetry workshop series

DESCRIPTION:  In this class participants will use short poems and exercises as models for writing poetry and poetic fragments, and will practice techniques to increase observation and lyrical thinking. We’ll look at mentor texts and have a discussion on language and form. We’ll also have exercises in metaphor and imagery. Attendees will get a chance to write short form poems and use the techniques covered in class to enhance their daily writing practice.

REGISTER FOR “DAILY DOSE OF POETRY” BY CLICKING HERE.

CLASS #3:  Poetry: Grounded in Place But Not Confined
WHEN:  4 Tuesday evenings, June 14 – July 5, 6:00-9:00 p.m. (central time)
WHERE:  ON ZOOM through Grackle & Grackle

grackle painting by Kerry James Marshall

DESCRIPTION:  Michelle Brittan Rosado wrote that poetry of place “can be a way to dissolve the self into an anonymous landscape” as well as “a map to find ourselves, a space in which to reassemble the annihilated and recover the displaced.” How often has your childhood home been the setting for your dreams? How often have you returned, in your writing or art or imagination, to the site of a notable first experience? What are the landscapes, real or metaphorical, we have inhabited? What liminal spaces inspire, motivate, or even unsettle us? The places which have mattered most to us live in our subconscious mind long after they stop being physically part of our lives. In this four-week class, we will look at poetry grounded in places both real and imagined. We will dissect both what makes a poem resonate with a reader and what makes particular locations so important to us. In this generative workshop, we’ll use a variety of prompts to experiment with form and style. You can expect to write new poetry each week and have at least two of your poems workshopped in a collaborative and respectful setting.

Grackle & Grackle also offers discounts to those who need them. (The following discounts are followed by their promo code words.)
15% sun
25% squawk
35% sweat

REGISTER FOR “POETRY: GROUNDED IN PLACE BUT NOT CONFINED” BY CLICKING HERE.

SO! I hope to see you at any and/or all of these fun workshops. And please do spread the word about them to anyone you know who might be interested. Thanks!

Monday Earworm: Icona Pop

My school year ends on Friday this week. There’s still a lot of administrative stuff to do before then, lots of meetings, and a little bit of grading left…but still. After three weeks of nearly nonstop grading, I’m entering a liminal phase, transitioning from the school year to the summer (in which my full-time gig switches over to writing, and teaching takes a little bit of a backseat), and times like this always give me a boost of sleep-deprived delirious energy. This is how it sounds tonight. Enjoy.

Monday Earworm: Marcin (Yes, Again, Don’t @ Me)

Look, I have about eleventy kajillion papers to grade this week, a slush pile to finish scoring before the end of the month, and no small amount of angst over my fourth-circle-of-hell state (the geographical kind) right now. Plus, a bunch of my students are about to graduate, and I’m feeling both ecstatic for them and melancholy for myself over it. They are young people who have the capacity and preparation to do great things. So in their honor, here is a young person doing great things with a melancholy mood that makes me feel slightly ecstatic. Enjoy.

Come Write Poetry With Me For An Hour

The title of this post is not an exaggeration.

I’m going to be leading a workshop called “Daily Dose of Poetry” on Monday June 13th through WAN (Write About Now) as part of their weekly virtual workshop series, and I’d love for you to join me!

The workshop will be synchronous, live, and interactive on Zoom. It starts at 6:00 p.m. central time and actually lasts until 7:30 p.m. The workshop will be generative and also give you a chance to share the poetry you write in the workshop for feedback or just accolades.

This class is appropriate for all levels: if you are a seasoned writer and want to revive or enhance your practice; if you are newer writer and want more prompts to help you generate ideas; if you just have a lot of thoughts swirling around in your head and aren’t sure how to rein them in so you can get some sleep. There’s something for everyone in Daily Dose of Poetry.

If you want the official course description, here it is:

“In this class participants will use short poems and exercises as models for writing poetry and poetic fragments, and will practice techniques to increase observation and lyrical thinking. We’ll look at mentor texts and have a discussion on language and form. We’ll also have exercises in metaphor and imagery. Attendees will get a chance to write short form poems and use the techniques covered in class to enhance their daily writing practice.”

And if you subscribe to WAN, I think there’s even a discount on the already quite low registration fee. Here are the other workshops being offered in June:

So come join me on June 13th! Register here for the event on Eventbrite. I look forward to this relaxed and low-stress poetry party with you!

24 Hours Left…

Hey there! If you were on the fence about taking my Gothic Story Elements class this Saturday afternoon, please note that you have about 24 hours left to sign up for it. (That *might* be flexible, but seriously do it before tomorrow evening.) The course will be conducted over Zoom — and you don’t need your own Zoom account, since you’ll get a link to join at registration — so you can take it from anywhere online.

Writespace sometimes offers discounts on classes at the last minute, and it looks like they’re doing that with mine, woot! If you want that discount code, let me know ASAP.

You can register for the course here.

Here’s the course description, too, in case you missed it before…

GOTHIC STORY ELEMENTS

photo by Bee Felten-Leidel on Unsplash

What do a darkly beautiful aesthetic, #WitchyGirlAutumn, and a tantalizing sense of foreboding all have in common? They can be part of the rich pageant of Gothic story elements that make so many “classic” — or “forbidden” — literary pleasures so deep. In this three-hour generative workshop, we will dip our feet into the chilling waters of Gothic literature to find out what that genre entails. Expect a multi-faceted exploration as we discuss a range of examples in visual art, film, music, and mentor texts. Our writing time will include the opportunity to use these Gothic  elements to begin a story or enhance one you’ve already started. Students will have the option of sharing what they’ve written during the workshop. Come with your favorite writing utensils (a laptop, a legal pad and sharpened pencils, a leather-bound journal and a fancy feather quill—whatever works for you). Let’s kick off the Gothic season in writing style!

All levels of writing experience welcome.