R-E-S-P-E-C-T, Find Out What It Means To Me…

At the school where I teach, which is non-sectarian, our character education mission is guided by four core values: honesty, responsibility, kindness, and respect. While we try to teach and model all four of these all the time, each year the school chooses one core value to highlight with special emphasis. It’s a four-year rotation, and this year the focus is on respect.

Last year, I was awarded what is essentially Teacher of the Year. (It was a glorious shock, let me tell you!) But part of that means that this year, I was invited to speak to the entire community about our core value of focus. Since that’s a big audience — approximately 1700 people — the largest I’ve ever addressed, and my stagefright was intense, I fell back on a skill that comes naturally to me: storytelling.

And since it went well, I’d like to share my remarks with you.

***

Good morning. Thank you for inviting me here to speak about our core value of respect. This morning I’d like to tell you all a story.

When I was seven years old, my mother and my grandmother began teaching me how to cook. My grandmother, whom I called Tita because that’s the Arabic word for Grandma, would come over to our house every Saturday, and she and my mother would spend the day making Lebanese food. When I was seven, they decided it was time I start learning how to do it, too. Now, learning to make Lebanese food is not a quick or simple process. There are no written recipes involved, and it takes most of the day; for example, making a batch of pita bread takes about five hours.

And while we made the food, Tita and my mother told me stories. I learned about how our family’s recipes had evolved over the generations, brought from Tripoli and Zouth-n-Kayek, from Bekfiya and Beirut, then to San Antonio and finally to Houston. I learned about the many people in my family who’d made this food before me and what their lives were like. I learned Tita had not had to measure a single ingredient since the age of twelve because she’d made cooking for her large family a big part of her life’s work.

And while I mixed ground lamb and onions and pine nuts to make kibbe, or stuffed grapeleaves and yellow squash with lamb and rice, I learned I was part of a rich and beautiful tradition. In learning to make this food, I came to understand my place in my family, in my culture, and – I thought – in the world.

One Monday morning, I decided to take some of the delicious Lebanese food I’d made to school with me for lunch. At that time, schools didn’t worry about food allergies, so my second-grade classmates and I all traded food in the lunchroom every day. As soon as everyone sat down at a table, the negotiations would begin:

“I’ll trade you a ham-and-cheese for your cupcake.”

“If I give you my Cheetos, can I have half your peanut butter and jelly sandwich?”

Things like that.

Well, I’d packed my Wonder Woman lunchbox that morning with some of my favorite foods, foods I was proud of, that I had made myself while participating in my family’s heritage. I started with the cookies. I asked, “Would anyone like a ma’amoul? No? I also have graybeh.” They looked at me like I was speaking Martian, not Arabic. So I switched to the English names: “How about a date finger?”

There was similar disinterest for my entrée, spinach pies. These are warm hand-held pies made of soft bread and filled with spinach and onions and lemon, and they were my favorite lunch. I’d brought two because I was sure someone else would want one.

Most of the reactions to my lunch ranged from unkindness – my classmates calling my food weird and gross – to polite distaste. They declined to sample any of it, much less trade me their Oreos for it, even though none of them had ever tried these foods before. And I felt torn: on the one hand, it looked like I was going to get to enjoy it all myself without having to share it; on the other hand, my seven-year-old sense of identity had become wrapped up in this food, in the communal process of creating it, and in what it meant to be Lebanese and to be part of my family. This food represented my culture, my accomplishments, and who I was as a person. So when my friends said my lunch was weird and gross, it felt like they were saying I was weird and gross.

Now, I mentioned that some of them were polite. They didn’t insult my lunch, but they didn’t want to try it, either. Politeness looks like respect, but it is not the same as respect. If you look up respect in the dictionary, you’ll see it means “to consider something in high regard.” To respect someone or something means that you think that person or thing is important and has value. If you look up politeness in the dictionary, you’ll find it means “marked by an appearance of deference or courtesy.” Some of my classmates politely declined to share my food, but it felt like they didn’t want to share in my experience, in who I was.

I did have one brave friend who, after she saw me eating my lunch, decided she would try it. She asked me if she could have a graybeh, which is a thick butter-and-sugar cookie with half a walnut embedded in the top, and I gave her one, and she liked it. Then I broke a ma’amoul – which is a sweet crumbly pastry filled with spiced dates and rolled in sugar – and gave her half. She liked that as well. She even had part of a spinach pie and declared it to be “actually pretty good.” She shared her chocolate bar with me, too. That one friend showed me respect by appreciating what I had to offer.

I want to paraphrase something my wise friend Christa Forster once told me, which is that all the things which make up who we are – our memories, our traditions, what we like or value – these things which make us unique and special are all golden. And when we share what matters to us with each other, we share that gold. And when we accept other people with an open mind and an open heart, when we celebrate what makes each other unique and special, we become richer. Just like my friend in second grade who discovered a whole new cuisine she liked eating, when we respect other people by accepting them, we gain a richer understanding and appreciation of them and what they have to offer, and also of the world.

Thank you so much for your attention today. Have a wonderful school year.

National Poetry Month — Day 18

Today I’m going to share a video of a spoken word performance by the poet Zeina Hashem. I’ll post another one of hers tomorrow, too. I know nothing about Hashem her except that she recently won the Rattle chapbook prize. My friend and colleague Christa Forster pointed her out to me, and I’m so grateful she did.

Here is “Correcting My Mother’s Essay.”

 

Forbidden Cookbook: Three-Bean Pasta Salad

I love bacon and Ranch dressing, but I’m sort of tired of those being the driving factors in my pasta salad, so here’s something a little different with a little bit of a Mediterranean flair. It’s quite light, especially if you go easy on the homemade dressing (and if you want to swap it out for a different dressing you like better, you can). This recipe makes enough for a party, so if you aren’t throwing one, cut the recipe in half or plan to have leftovers.

pasta salad

ingredients for pasta salad:

  • 1 package tri-color pasta of your choice––I like the corkscrew kind.
  • 1 package edamame, shelled––Follow the cooking instructions on the bag.
  • 1 can baby corn
  • 1 can dark red kidney beans (low sodium preferred), drained
  • 1 can cannellini beans, drained––You can substitute garbanzo beans (chick peas) if you like.
  • 1 can quartered artichoke hearts, drained
  • 1 small jar kalamata olives, drained
  • 1 small package crumbled feta cheese
  • 3 or 4 stalks of heart of palm, sliced into discs

ingredients for homemade dressing:

  • garlic salt
  • lemon pepper
  • extra virgin olive oil––Make sure you go with a brand that tastes good!
  • lemon juice

Boil the water for the pasta for a dollop of olive oil instead of salt. Follow the instructions on the pasta.

Follow the instructions on the edamame to steam them.

Drain and rinse the canned/jarred ingredients.

Mix all the yummies together in a large bowl.

Now for the dressing, which is a Lebanese dressing my grandmother and mom taught me, and which I use for many kinds of salad. Add the garlic salt and lemon pepper to taste. I usually cover the entire bowl with each spice because it will be mixed in with a lot of pasta salad. (You can be more generous with the lemon pepper; if you add too much salt the flavor won’t feel light or refreshing.) Add enough olive oil to coat everything slightly but not enough for the oil to collect at the bottom of the bowl. Add a generous dollop of lemon juice. Mix everything together.

Serve cold. Enjoy!

A Valentine Story

My grandfather Joe, on my dad’s side, fought alongside his brothers and cousins for the US in WWII.  He found himself in multiple theaters: at Normandy, in Northern Africa, in Italy.  And unlike many men of that generation, he never shied away from telling us stories about the war, but he picked his tales carefully.  We heard anecdotes about the lighter side of things, such as the small black goat they bought from a man on the side of the road; they named the kid Midnight and made him their company’s mascot for a while.

My favorite story, though, was the one he and my grandmother, Rose, told us about how they met and married.  Seeing as Valentines’ Day approaches with relentless haste and this is such a sweet tale, I want to share it with you.  My grandmother isn’t alive anymore, and my grandfather is in his nineties, and now just feels like the right time to commit this story to writing.

My grandfather was on a thirty-day furlough from the army and was headed home to Houston.  It was the mid-1940s, and he’d had several tours in the war already.  He came back stateside to the northeast and then took a long train ride down to San Antonio, where he would need stay at the base for processing for three days before continuing on home.  On the train to Texas, he sat across from a man he didn’t know, but who had “the map of Lebanon on his face.”  Always happy to meet any ethnic brethren, my grandfather introduced himself, and on that journey, they became friends.

I don’t remember the other Lebanese man’s name, but he lived in San Antonio, and he invited my grandfather to come home with him for real food instead of staying at the base the whole time.  He didn’t have to ask twice.

Now, across the street from that hospitable gentleman lived the Sacres, another Lebanese family.  The Sacres had six grown children, three boys and three girls; their boys had been in the war, too, and they had a kindly habit of inviting the Lebanese GIs coming through San Antonio over for dinner.  When they found out their across-the-street neighbor was home and that he had a friend with him, the dinner invitation couldn’t come fast enough.

The Sacre daughters — Mary, Sarah, and Rose — were all beautiful as could be, and they were polite to the soldiers at dinner.  And afterward the young people all went out bowling.

(Yes, bowling.  Fun Sacre pastime that, like playing Canasta, lasted all the way to my generation.)

Over the next three days, while my grandfather was in town, they all continued to meet and go out, but it was clear that he had a particular interest in Rose.  The oldest sister, Mary, told Rose she should date him.  He was good-looking and from a well-heeled family in Houston.  My grandmother was ambivalent, largely because when the soldiers had come for dinner that first night, my grandfather had kept staring at her.

“I was admiring your dress,” he insisted when they told me this story.

“You were looking at my chest,” she scolded him.

“No, I wasn’t.”

“Yes, you were,” she said.  She turned to me. “I had on this white eyelet dress, and it was pretty, I guess.”

“Very pretty,” my grandfather corrected her.  She shrugged, but even more than fifty years later, she still blushed cheerfully about it.

So in those three days, the young folks managed to see each other quite a bit.  Joe told Rose he’d be back in a couple of weekends, and he hoped she’d go out with him again.

“Okay,” she responded casually, but with a very nice smile.

When she told her older sister Mary about it, Mary was very keen that Rose go out with him.  But my grandmother could be a bit stubborn and never liked being told what to do.  She acted noncommittal and advised Mary that she should go out with him instead.  Well, of course that didn’t happen.

Two weeks later, Joe came back to San Antonio and took Rose to a dance.  He told her he wanted to marry her.  I’m not sure what had changed in my grandmother’s mind in those two weeks, but she agreed.  While my grandfather was on leave, the war ended, and he was discharged from the army so he could come back to Houston and make his life as a grocer.

And as a husband.  A couple of months later, Joe and Rose married.  They went to the beach for a little honeymoon.  They lived in Houston, had seven children, and — though it wasn’t any more perfect than any other marriage, and in some ways it was rockier at times — they made a pretty good life of it.

My grandmother passed away from cancer in 2001, a few weeks after they celebrated their anniversary.  It was a party around her sickbed.  She was lucid, we all managed to be cheerful, and there were so many friends and family members around we couldn’t all fit.  The cake was enormous, and my grandfather held her hand all afternoon.

***

Last year around this time, I suggested you should write a love note to someone — anyone — for Valentines’ Day.  I think this ought to be an annual tradition.  Go ahead, write a love note, write a poem if you like, write a card.  Do something wonderful for someone you care about.

Here, Dear Readers, is a valentine for you.

My daughter made this.  Pretty cool, huh?  She made a different valentine for every teacher and classmate and friend.  I wish I could take pictures of all of them to show you.
My daughter made this. Pretty cool, huh? She made a different valentine for every teacher and classmate and friend. I wish I could take pictures of all of them to show you.

Something Fun To Do This Friday Evening

I hope everyone had a wonderful Thanksgiving holiday.  We had a good one.  It didn’t go exactly as we had originally planned — we had unexpected houseguests at the last minute — but we had a fantastic holiday and really excellent weekend.  I especially enjoyed hanging out with old friends who no longer live here but were visiting for a few days.  Now it is time to get ready for work and school tomorrow, to put up our Christmas decorations, to get back to normal for a few weeks till the next major Series of Holiday Events.  (I genuinely love this time of year.)

In the midst of it all, for those of you in the Houston area this coming weekend, here’s something you might enjoy doing Friday evening.  There’s going to be a book launch for the new Mutabilis Press anthology, entitled Improbable Worlds, and one of my poems is going to be in it.  (Yay!)  The poem is called “Recipe for My Daughter.”  I hope you’ll join me at the launch!  Here are the details:

Friday, December 2nd; 6:00 – 9:00 p.m.; The Jung Center of Houston; 5200 Montrose

And here’s the website for Mutabilis Press:

http://www.mutabilispress.org/

MP’s website also has information for purchasing the anthology, in case you’re interested.  (I was also published in their 2005 anthology Timeslice, in case anyone wants a copy of that as well.  It had a lot of really fantastic Houston poets in it, and I was thrilled and humbled to be counted among them.  Improbable Worlds will be featuring poets of Texas and Louisiana, if I’m not mistaken.)

If the book launch for Timeslice is any indication, I and many of the other poets featured in the book will be signing copies the night of the event.  (I’m also happy to sign any copies other than that night, if you’d like.)  I hope to see you there!

Victoria Love “Just Breathes” New Energy into a Long-Admired Music Career with Latest EP

I’m not a singer-songwriter, but listening to Victoria Love’s new EP makes me wish I were.

The cover of "Just Breathe" features Victoria Love herself.

Imagine taking Arabic rhythms and then twisting them slightly to the side.  Now fill the space with gothic-friendly vocals and a host of stringed instruments.  Give lyrics with familiar and relatable themes:  redemptive love, righteous indignation, artistic passion.  What you’ll find when the dust settles is Just Breathe, a haunting five-track disc that will make you want more even if this isn’t the sort of music you normally listen to.

Ever since I got this disc, I’ve been listening to it over and over.  It’s been on rotation in my car so often that I think my kids are starting to learn the words.  But I’ve also seen Victoria Love live in concert, many times over the years — the monthly Elle Acoustique show at the House of Blues in Houston is her brain-child — and one thing that I really like about Just Breathe is that the record complements the energy of the live performance, rather than the disc and the live show trying to be copies of each other.  This is refreshing.

One of the tracks, “Yours for the Taking,” begins stealthily.  I knew this song from her live shows for a while before I heard it recorded, and it was a new experience when I popped the disc in.  I thought of Trent Reznor, but not in his usual aspect; now he was being seduced by an industrial/tribal bellydancer.  A temporary situation, because she’d be abandoning him before the end of the song, and even though he’d be affected by it for a long while afterward, he wouldn’t have any regrets.

Maybe I’m letting my imagination run away with me?  I don’t know.  The thing about this music is that the sound is so full, it’s easy to recede into it, to let the layers of instrumentation — including exquisitely supportive violin, cello, bass — pile on top of you while your subconscious plays around with the vocals.  It’s a singularly fun experience to lose yourself in it for a while.

Love has, frankly, a beautiful voice.  And her lyrics have depth, subtlety — just enough to make even a reserved person want to sing along out loud — but there’s nothing obscure about what she’s singing.  The effects on the plugged-in tracks are tasteful, not at all overpowering.  They add to the mood rather than conspicuously announce their presence, a balance which can be difficult for some artists to achieve.  I rather enjoy that the last verse of “Needs” is actually “sung” by an electric guitar, as if the instrument were taking over for the singer.  (When you hear the song, you’ll understand.  In fact, you’ll probably understand a lot.)  The acoustic bonus tracks are a real delight.

If you keep up with my Facebook page, you’ll note that I posted some of her songs there.  I can’t wait for the full-length album.

See videos, hear music clips, buy the EP, and generally find out more about this artist and Elle Acoustique (a non-profit which seeks to promote musical education for women and girls of all ages) on her website:  http://www.VictoriaLoveMusic.com