Why, Yes, Virginia, Adulthood IS A Myth!

Believe it or not — and if you know me, this won’t be a stretch for you to believe — I am still working through the requested reviews from my Books I Read in 2020 list! Seriously, thank you to everyone who requested those reviews. I appreciate your engagement so much, and I’ve had fun revisiting so many of the titles I read last year.

At this point, I’ve finished almost all of the requests, either as blog posts or as book chat videos I was doing for a while with my friend Kara. And I now have three books left to tell you about. Allow me to knock one of those off the list today while the next chapter of the new novel I’m writing incubates in my subconscious…

 

 

If you type “adulthood is overrated” into a Google search bar, you will get umpteen kajillion sites with articles or products or other content declaiming this travesty against our youthful expectations. Normale.

Adulthood Is A Myth, a compendium of comics by Sarah Anderson about the travails of becoming an adult, takes this pseudo-despair about growing up into “real life” one step sideways. Her comics are amusing and well drawn; they dive deep into the maelstrom of emotions that is the proverbial Human Condition with just the right levels of snark, angst, and immense relatability.

It would be easy to dismiss Anderson’s collection as a lot of comics about millennials not being able to get their shit together, but it would be wrong and ageist to do that. The fact is, adulthood is not a state of being that comes with a manual, despite the proliferation of self-help books related to the subject. Most of the time we observe the world around us and the generations that came before us to find answers, and our life trajectories are shaped by world events. And thanks largely to technology (which has changed not only the metaphorical size of our world but also our ability to view and interact with it), 21st-century young adults have a really different row to hoe from all of us who came before them. Frankly, Gen Z is basically a generation of cyborgs — and as a parent of kids in Gen Z, I mean that in the most loving and practical way.

The comics in Anderson’s collection aren’t really about that, though, which is one reason this book has such wide appeal. It’s about human interaction and daily, practical functioning and the challenging emotions so many of us experience regardless of age or time of life. Moreover, she does it all with a wryness that will make you feel maybe just slightly superior (in a non-snotty way) if you’re generally competent at adulting, and make you feel absolutely seen and heard and understood and even maybe cared for if for you, like for most of us, managing this American life is challenging sometimes.

I really enjoyed this book and will admit I gobbled it up in about an hour, cover to cover.

I’m also not squeamish about telling you that I did it late on a Saturday afternoon, with a basket of laundry next to me, sitting on the floor at the top of the stairs where I had gotten distracted by seeing the book on top of a pile next to Han’s desk and decided it was the right time for me to stop and read a book even though I was literally in the middle of doing a household chore.

(And if that doesn’t give you some context of where my head was or why this book hits all the right notes, I’m not sure anything will.)

Be well!

Women Writers Wednesday 2/11/15

This week’s review, of Fingerprints of You by Kristen-Paige Madonia, comes to us from Brenna Layne, whose bio follows.

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My mother got her third tattoo on my seventeenth birthday, a small navy hummingbird she had inked above her left shoulder blade, and though she said she picked it to mark my flight from childhood, it mostly had to do with her wanting to sleep with Johnny Drinko, the tattoo artist who worked in the shop outside town.

 

KP Madonia cover

 

With her very first sentence, Kristen-Paige Madonia paints a vivid portrait of the relationship between a mother and daughter. Judy Blume has called Madonia’s writing “luminous,” “original,” and “compelling.” As far as I’m concerned, if Judy Blume likes something, that’s reason enough to give it a try. As it happens, there’s a lot to love about this impressive debut novel.

Madonia tells the story of seventeen-year-old Lemon, who leaves her nomadic mother, Stella, and sets off on a journey of her own. As Lemon seeks out the father she’s never known, she carries her unborn baby, certain that her own child will never know its father. From the hot haze of a Virginia summer to the chaos and color of San Francisco, Lemon embarks on the best kind of odyssey—both outward, into the larger world, and inward, discovering exactly who she is and what matters most.

The interaction between quietly rebellious Lemon and larger-than-life Stella will strike a chord with anyone who’s ever felt overshadowed by a parent. Lemon’s struggle to define her life and relationships on her own terms is an instantly recognizable one, and her thoughtful, introspective voice brings it strongly to life. Both wonderfully quirky and sometimes painfully authentic, Lemon’s story is compelling from the first, marvelous opening sentence.

I’ve now read and re-read Fingerprints of You, and what strikes me most is Madonia’s ability to home in on the specific—one girl’s cross-country bus trip—while at the same time telling a classically American coming-of-age story, but with a difference. One of Lemon’s favorite books, On the Road, comes up again and again. Lemon, too, is on the road, but with an important difference—she’s a girl. American literature is full of stories of boys who hit the road, hop trains, see the world. It’s refreshing to read about a girl embarking on this iconic American journey. And it’s powerful. In her search to find where she belongs, not only for herself but for the child within her, she brings a new element of femininity to a familiar and usually masculine theme.

With her distinctive voice and wry sense of humor, Lemon is an entertaining narrator. With her flawed yet lovable personality, she’s one with which real teens can identify. But Fingerprints of You, like all the best young adult literature, is a great read for adults, too. The lessons Lemon learns on her journey are ones that we can all use reminding of from time to time. We all leave fingerprints on each other, indelibly marking each other’s lives in ways both great and small. And, as Madonia shows us, recognizing and accepting those invisible tattoos is an unavoidable step in the difficult and beautifully messy journey of growing up.

I was fortunate to meet Kristen-Paige Madonia at a local writer’s group shortly after the publication of Fingerprints of You. I’ve met a number of YA novelists over the past few years, but Madonia is the one who really stands out. She was engaged, helpful, and encouraging. I met her at a point in my own writing journey when I was becoming overwhelmed by discouragement. Her kindness and generosity in sharing her own journey—both its ups and downs—was a powerful reminder to me that as writers, we’re all on this journey together, and that no one, no matter how accomplished, has an easy time of it. Like its creator, Madonia’s work is encouraging, powerful, and deeply humane. Not bad fingerprints to leave on the publishing industry, or on the world in general.

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Brenna Layne writes fantasy novels about young adults because she believes in magic, likes dragons, and hasn’t figured out how to be a grown-up yet. She is currently seeking an agent. She lives in the Shenandoah Valley of Virginia with her family and a growing menagerie of stray dogs, cats, and chickens. She blogs about the intersections between writing and life at www.brennalayne.com. When she isn’t writing, she enjoys beekeeping and broadsword combat.

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To see more kinds of reviews like the ones in this series, check out these blogs by Melanie Page and Lynn Kanter. And of course go to the Sappho’s Torque Books page here to see other reviews by me and by other contributors to the Women Writers Wednesday series.

The Women Writers Wednesday series seeks to highlight the contributions of women in literature by featuring excellent literature written by women authors via reviews/responses written by other women authors. If you’d like to be a contributor, wonderful! Leave a comment below or send me an email, tweet, or Facebook message with your idea.