Poem-A-Day: Mike Alexander

I always like to include a poem by Mike Alexander in this annual series. He was heavily involved — possibly even running? I don’t even remember now — the poetry reading series at a bar called The Mausoleum here in Houston back in the late 1990s. I used to read there, and it was a pretty fun venue. A lot of Houston poetry scene regulars were part of that series, and I have fond memories of it.

That bar eventually changed its name to Helios because the owner, a woman named Mariana, wanted to let some metaphorical light into the place. A while later, she changed the name again to AvantGarden, which is what it still is named now. Over the years countless musical acts and even music festivals have performed there, my brother debuted his music video in a party there, and back when I was still bellydancing, I hosted a monthly show there called Eclectic Bellydance. Before us, back when it was The Maus, some friends of mine hosted the Gothic Bellydance show there on Tuesday nights, and plenty of other dance troupes and shows took their turn in the venue as well.

Just across the fence from AvantGarden is a friendly little retail center with, among other things, a coffee shop called FIX. Mike Alexander now runs a poetry reading series there called Poetry FIX, which is in its third year, and which has been one of the places I’ve most enjoyed reading my work over the last couple of years. If you’re ever in Houston on a Tuesday night, see if they’ve got a reading there that week, because it’s really fun. They’ll have two features and an open mic, and I highly recommend it.

This poem of Mike’s was recently published in the Mutabilis Press anthology Enchantment of the Ordinary.


A block from my suburban home, just off the highway –
a host of emails in my head, a deadline met, a deadline
threatening, my radio a celebration of long-awaited weekend,
already overbooked, the volume absurdly high, it’s true,
on Lady of the Morning, a song I hate by a band I hate,
but at this moment, its syrupy bombast, a delicious irony,
a final crescendo announcing my triumphant return
from another day’s battle at the office, when, just as I pass
the last of so many stop signs, that’s when I see it.
A large white Leghorn, I think, — what do I know
about chickens, right? — tall for a bird,
its prominent breast meat proudly held, steps
deliberately, defiant, with a certain military
precision, like a brigadier general in its dress uniform,
but aesthetic, like a dancer working out a routine
for his next performance of the Nutcracker,
directly into the road. I ease my foot off the gas,
come to a standstill, knowing this is a moment to wonder at.
At the same time, I fight my first impulse, which is to roll down
my window to yell, “Winner, winner, chicken dinner!”
That would be crass. This might be somebody’s prize pet poultry.
Besides, I’m not thinking food, I’m thinking probabilities.
Situational ethics. Zeno’s paradox. I’m thinking
my wife will never believe this, but for some reason,
I don’t pick up my cell phone to snap a picture.
A chicken crosses the road, & a lawn, surreal blessing,
like a poem, into a stand of azalea bushes, & then it’s gone.


Mike Alexander came to Houston in 1996.
Everything here is so extraordinary, it’s hard to define the ordinary. Nevertheless, he contemplates the quotidian every day.


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