You might have noticed that November — and the NaNoWriMo — came and went without much in the way of updates here from me this year. Back around the end of October, I had really good intentions and a lot of excitement about the project I was planning to work on. But things, sometimes awesome things, got in the way, as things do, and I want to comment on that. I’ve seen several authors online recently discuss how we as an industry don’t talk enough, publicly, about failure. Even the hashtag storms about acknowledging and persevering through failure in the writing industry ultimately turn into humblebrags that make people feel even worse. It can be easy — for me, at least — to get caught up in what I haven’t accomplished, even when I know that’s neither logical nor rational nor helpful. Sometimes I need to recast the way I think about success and failure and the practical realities of them both.
One thing my colleagues and I strive to do, as teachers, is to help our achievement- focused and strategic-learning students appreciate the importance and value of failure as a step in the process to success — but more importantly, also as a step on the path to increased understanding. So many don’t want to pay attention to this. But failure is necessary in order to grow, to learn from mistakes, to winnow away things that don’t work and understand why they don’t, to emerge with a more solid process or product or epiphany, to develop. If we never have to confront the hard stuff, we never really learn how to overcome it.
Okay, so, great. And what does that have to do with my NaNoWriMo this year? Well, I failed at it. I did basically no significant work on my new novel, and part of me feels like an utter failure for that, feels like a complete loser who can’t do anything right or accomplish anything of value.
And as I would tell my students, that’s a completely bonkers response.
A normal one, maybe, because that’s the culture we live in. Because being “busy” has become our toxic but normalized social currency. Because I’m disappointed that I couldn’t carve out half an hour each night to write 350 words and move the story forward. But let’s be honest: November is a terrible time for this project; the only worse month would be December! As a high school teacher and mom, I’m swamped. Routinely on Sunday nights I climb into bed, far too late for how early I have to be up on Monday mornings, and can’t stop myself from mentally ticking off the list of things I wanted to take care of over the weekend but failed to. At some point, I’m sure, I will come to internalize the fact that a Sunday isn’t forty-seven hours long, and then my emotional expectations can catch up to my intellectual understanding of just how much one person can get done in a day.
What all of that calculus fails to appreciate is what I did in fact get done. And therein lies my problem: I’m focused, like some of my students, on the exact wrong thing.
So let’s switch gears away from my failure and talk about where things went well over the last month.
The third edition of Finis. came out, and holy canoli, it’s gorgeous. If you’re looking for a really great holiday gift for the readers on your list or a stocking stuffer for that smart adolescent who likes urban fantasy or animals or both, then you can’t go wrong with this new edition from Odeon Press. The physical book has been redesigned in a lovely way, with a better size and a butter-velvet soft matte cover, and in the back of the book you’ll find a lot of new bonus content, including some nonfiction by me and a preview of the next story in this series set in Elsa’s world.
I finished running my first Kickstarter campaign, and it was a resounding success. (Thank you to everyone who joined the community for the new book!) My project is my new book of poetry, The Sharp Edges of Water. (Click here to view the KS and all of the updates and bonus content posted there.) Some of the backer perks are a little slow rolling out — not behind schedule, but just slower than I was hoping to get them moving — because school has been really busy for me lately. But I’m back to working on those this weekend.
As for The Sharp Edges of Water itself, this week has been all about proofing galleys, making sure everything looks as good as it can, combing through for errors. This book is in production, y’all! And it’s looking wonderful so far. I’m excited to be sharing it with you! The ebook will be available very soon — in time for Christmas — and if there aren’t too many slow-downs in the last stages of production (where we are now), maybe the print version will be as well! I promise to update here when you can start buying it.
So those projects really took up all of my NaNoWriMo time, and I have to give myself permission not to beat myself up over it, even though I didn’t make any progress yet on the new novel. I know I’ll get back to writing the novel as soon as my new book of poems is out. I’ve had to reorganize my priorities and make peace with the harsh time mistress of my teaching job, and that’s okay, too. When it boils down to it, on Sunday nights I have to remind myself to count my blessings. (Because let’s be honest again: that’s the only way I can fall asleep when I’m thinking about that infernal to-do list.)
In the title of this blog post, I promised transitions. Well, let’s talk about that too. The Monday Earworm is going to take a little vacation until the new year, because you know what’s coming up later this week? The triumphant return of 12 Days of Christmas Music That Doesn’t Suck! I know, I know, contain your zeal. I’ve been curating this year’s playlist and have encountered some new music that I hope you will enjoy. And aside from various types of announcements here and there, that’s probably all you can expect from me on this blog until the holidays are over.
And that’s about all I’m going to say about this for today. Have a good one.
“Because being “busy” has become our toxic but normalized social currency.”
That!
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Amen to everything you said! I’ve been really working on not beating myself up because my writing process isn’t as rigorous or prolific as it “should” be. I am simply not a speed writer who can crank out 50,000 words in 30 days.
I do get the intention behind that idea — to force yourself to ignore the editor in your head and just write freely. But the one-month deadline and the word count requirement just make the drill sergeant in my head louder and more distracting.
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Definitely! And it comes at such an inconvenient time of year if one isn’t a full-time writer with no other projects happening. I suppose December would be worse, but…
I prefer Chuck Wendig’s advice (which was not his own first): just write 350 words a day. If you miss a day, then write 350 words the next day. Just keep doing it. Even Hemingway mused that if you wrote one page a day for a year at the end of it you’d have the draft of a novel.
I think the bigger point, even beyond silencing the inner editor, is that you just keep pushing forward a little at a time if a little at a time is what you can manage. I’ve also found that if I’m only churning out 350 words, there’s not really enough for my inner editor to get ahold of. I save the editing for after my critique group has given me feedback.
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That certainly sounds more manageable. It also helps to remember that there isn’t one correct or even best writing process. Whatever process works for *you* is what matters.
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Yes! Flexibility is key, at least in my case. As soon as I start making pronouncements to myself about the rigid plan I intend to take, it all goes to hell in a handbasket. My rebellious streak I suppose. I’m a pantser too.
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