I asked all the students in my sophomore English classes to recommend a book they’d read for pleasure — one not assigned for school — in the last five years. It had to be a book they liked enough to recommend it to someone — in particular, their classmates, as we embarked on the new free choice reading unit in my curriculum.
Here’s what they came up with! Any books here you’re interested in? Any you’ve read? Please leave a comment below.
P.S. — The subtext of this post (and its chronological distance from the last one) should indicate to you I’ve been really busy getting the new school year off the ground. You would be correct in that assumption.
So this morning, as I was packing up to leave for the Sawyer Yards Arts Market, I received a text and an email from the show’s organizer saying it was cancelled. Bummer! But we’re having some rough weather in Houston, so this is probably for the best. Alas.
Never fret, though — I’ve decided to have a Rainy Day Sale here on my social media instead! It will go this whole weekend, starting now, until 8 p.m. central US time Sunday (tomorrow) evening. Here’s what available:
my poetry art cards (13 designs in all, blank inside with envelope, sold individually for $7. or as a set in a lovely decorative box for $70.) — see the designs below
I’m offering 10% off all of these items if you buy them from me directly. (I’m happy to ship them to you for the cost of whatever the postage and insurance you choose will be.) If you buy the books from Amazon or any other bookstore, you’ll pay their price, since they’re not participating in this impromptu Rainy Day Sale. Just post in the comments here or send me a direct email to firstname.lastname@example.org with “Rainy Day Sale” in the subject line to tell me what you want. Let me know, too, if you want the books signed.
I’ll update here when I know more about the rescheduling of the arts market. Thank you for your support!
I go back to school this Friday. After the last five weeks, I am more than ready. I’ve been on three trips, yes, but we’ve also had quite a few crazy things happen in between them, and I’m eager to get back to a consistent routine which includes my children being in school.
I have not done enough writing, or reading, to satisfy myself, though I concede I’ve done quite a lot of both. And with the way I’m revamping my curriculum this year, I’m hoping to have more time to do both even when the semester is in session. We shall see. (More on that later, perhaps.)
Last week, a short piece I wrote about how what I do in my personal time informs my teaching career came out in my school’s magazine. I was thrilled to be asked to contribute it in the first place, but even more so when I saw the illustrious company I was somehow included in — which was comprised of some of the most talented colleagues I’ve ever worked with.
Because I’m headed back into my classroom at the end of this week, I thought I’d repost (with permission) the piece I wrote for the school’s magazine. I hope you enjoy it, but even more, I hope you enjoy what’s left of your summer (if you still have some).
The first time I ever read one of my short stories to an audience, I was in fourth grade. It was a character-building experience.
Even though very few of my classmates had gone on that fantastical narrative journey with me — and my teacher looked at me sideways while trying to figure the story, and probably me, out — my love of writing could not be dampened. By the time I hit middle school, my path to becoming a writer had been paved.
From there, teaching was an easy choice. The ability to share my love of writing with others, to teach them how to do it and to appreciate its value, contributes to my sense of purpose. Through literature we more clearly understand our humanity and our place in the world. The enjoyment and creation of literature is something I hope to instill in my students, and it’s one way I spend my personal time as well.
How can one teach something that one does not also do? If I didn’t need sleep, I would keep reading past my bedtime all through the quiet hours every night. And each break from school finds me writing, writing, writing. This pursuit feeds my creative, thinking self, yes, but also feeds my teaching self. The more I explore different forms and genres in my own work, the better I’m able to teach my students how to do it — and hopefully how to love it as much as I do (though I’ll settle for mastery of skills).
Literature — reading it, creating it, teaching it — guides me always. It gets me out of bed way too early on Saturday mornings to meet other writers and stay on word count. It makes my summer breaks a little hectic, heavy with deadlines. And when school starts up again each August, it motivates me to share with my students everything I’ve learned, too.
Hello, all. I’d hoped to post more frequently to the blog this month, but most of my social media interactions have been on Facebook and Twitter lately because I’ve been traveling a fair bit. I do have some newsy bits to share, though.
First, the discounted price on the Finis. ebook over at SmashWords is ending soon — July 31st, I believe — so if you want to take advantage of it, please head on over and do so. I’ve included an excerpt from the book below to whet your whistle. Of course, if you’d rather pay full price…okay, feel free! Head on over to Amazon and get the illustrated print version if you’re so inclined. (They have the ebook there, too, in case you’re wondering.)
Second, if you’re in the Houston area on Saturday, August 13th, come by the Sawyer Yards Arts Market, where I and fellow author Adam Holt will be authoring it up good like we did back at MenilFest in May. We’ll both have our various books for sale, and I’ll have my poetry art cards available as well. In related news, those cards have been a huge hit! (Thank you!)
You can even purchase the full set of thirteen designs at a significant discount and thus be prepared for a wide range of card- and gift-giving opportunities. I’ve seen several examples of people who’ve received the cards putting them into frames and hanging them up as visual art, which makes me oh-so-happy. (Click the link above for information on how to get to the market.)
Third, I’m going to be traveling just a teensy bit more before school starts up again, heading out to the Labyrinth of Jareth (and yes, that is as cool as it sounds). I’ll be sure to post pics somewhere on my social media afterward, so be looking for that awesomeness. And when I return from that, I’ll be heading back to school (like, within days), and hopefully getting into a more regular posting schedule here on the blog as well.
Be well, enjoy the rest of your summer, read the following excerpt from Finis., and go get yourself a copy. Maybe one for a friend, too. Or several. Thanks!
FINIS. by Angélique Jamail (excerpt)
Elsa’s parents and sister have become meaner than usual, and her cat, Jonas, resents her. She has a nagging concern he wants to eat her.
“He bit me again this morning — I woke up to find half the toes on my left foot in his mouth! I kicked him away but he just came back, all fangs and hissing, till I locked him in the coat closet.”
But that’s only the beginning, Elsa tries to explain to her cousin Gerard. She has to speak in short bursts: he’s conducting his water exercises, his head bobbing in and out of the water in orderly arcs. She knew she’d be interrupting his routine, but this morning’s episode has brought things to a head. On her way to work, anxiety commandeered her every thought and movement. Before she could catch her breath, she found herself tearing through Gerard’s garden gate and rushing to his salt-water pool.
“Oh, Elsa,” he says, his feet spiraling around a large stalk of kelp just below the water’s surface. He runs a watery hand across his spiky brown hair, and brine curls down his back. “What are you going to do?”
“What’s even worse, my landlord left another threat-of-eviction notice today.” She sets her briefcase down near a baby potted corpse flower and ventures closer to the pool. “I’ve done nothing wrong. My rent is always on time. I’m a quiet, orderly tenant. I thought getting a cat would mollify the building association, but unless I become a cat, I don’t think it’ll help.”
Gerard dunks, flips neatly into a ball, and spins back up; he swims to where she stands at the edge of the pool and rises. “Have you had any hints of your self?” He looks at her carefully, scrutinizing, and she wants to shrink into the empty void of mediocrity. Still, his voice is tender. “Anything at all?”
“No,” she murmurs, mesmerized by the ripples his body makes, the way the water slaps against the side of the pool and then laps backward over itself, folding the brine under to dissolve in a never-ending cycle of thrash and renewal.
“I’m not sure I approve of where you’re living, anyway. Those nasty gangs — I read about them in the newspaper. Packs attacking Plain Ones right and left, even children.”
“I saw that, too. They usually go for adults, though — people who ought to have blossomed by now.” Her shame for the disgrace she’s caused her family burns on her face.
Gerard smiles. “Come in for a swim. You’ll feel better.” He shoots backward through the water, darkened spiny ridges flashing on his skin.
She almost wants to but imagines how painful it would be. “I can’t,” she says, then makes an excuse. “Work.”
“Of course. The monster.”
“I’ve never been a swimmer, anyway.” Even standing for too long in the shower makes her skin feel prickly and sore; she usually just soaps up before turning the water on and then washes her hair in the sink. “I think I’m allergic to water.”
He laughs. “Off you go, then. See you later –” His words bubble as he dives backward.
Elsa trudges out the gate, hardly even waving back at the friendly centaur trimming his hedges next door.
Elsa hears the snarling from all the way downstairs and pushes the six button again, as if that would make the elevator go any faster. She doesn’t want to be late. As the doors finally, slowly open, she rushes out, bumping her shoulder on one of them. An accountant from the third floor, his mottled brown and gray hair in disarray, crashes into her as he flies toward the exit.
“I’m so sorry,” she says, helping him collect his fallen papers. Quietly she asks, “Are you all right?”
He pushes his round, dark-rimmed glasses farther up his beaky nose. “Those two new secretaries missed a staff meeting last night.”
He doesn’t have to say any more about the displeasure of the monster behind the big oak desk.
Elsa adjusts the neat hair clip she always wears and steps cautiously into the sixth floor receiving area, unwilling to navigate the labyrinth of cubicles to her own workstation next to the monster’s room. She can see fresh piles of beige folders on her desk, but horrible sounds are coming from the boss’ office. She realizes with chagrin her briefcase is still on Gerard’s patio and panics, turns quickly around and walks back out to the elevator bank. Artwork on the walls and a large aquarium filled with colorful fish and other placid creatures calm her. One young man from her office, a new hire, is staring mindlessly at a large, abstract photograph as if trying to lose himself in it. Another employee rushes out to stare at a particularly soothing canvas of gray paint.
She presses her fingertips to the front of the aquarium and several fish swim up to her. The larger ones seem to smile; the smaller ones seem to be trying to suck her fingertips, through the glass. Watching the kelp and anemone and angelfish tranquilizes Elsa’s nerves enough for her to go back inside. She turns around.
Lois, the switchboard operator, quietly beckons her. Thick glasses usually cover her pretty orange eyes, but today the spectacles sit atop her head, holding back a curly mane of dark copper hair that looks mussed, as if from dodging projectiles. She doesn’t look frightened, though, despite the palpable fear among the rest of the staff. Elsa hurries over.
“Are the secretaries going to be fired?” she asks. Three empty coffee cups clutter Lois’ desk, and dirt smudges highlight a dent in the tan wall behind it. The heavy wooden door to the monster’s interior office shakes suddenly as if something the size of a potted tree has just been thrown at it.
“Already done. The question now is whether they’ll have to be carried out.”
They watch for several tense minutes as the growling and yelling and sounds of people running around and things being thrown continue to distract everyone from working.
Suddenly a shriek from the interior chamber makes Elsa cringe. She recognizes the voice of that secretary — another Plain One, she’s sure, although the woman tried to keep it a secret. But Elsa knew, could see it in the nervous way the woman watched other people interact, in the dejected slump of her shoulders when she thought no one was looking at her.
Elsa debated whether to approach her, whether she would welcome sympathetic company.
Or perhaps they would each make the other more of a pariah, since no one liked it when underdogs banded together. Maybe the secretary would be angry and offended, would keep trying to hide who she wasn’t.
Or maybe Elsa was wrong about her and would be rebuffed, her position as outcast further solidified.
She finally decided it was easier not to try to be understood.
There’s another crash. It sounds like her inner debate is quickly becoming irrelevant.
A tap on Elsa’s shoulder makes her jump. Gerard is standing there, holding out her briefcase.
“Elsa, my dear, you need someone to look after you,” he says.
“No, I don’t,” she mutters.
“Who are you?” Lois purrs appreciatively, shaking his webbed hand.
“My cousin Gerard,” Elsa says. She holds up the briefcase, annoyed with herself for having forgotten it. “Thanks for bringing this.” Grudgingly she adds, “You’ve saved my hide.”
The monster’s door opens, and one secretary — not the one who piqued Elsa’s curiosity — stumbles quickly out, red hair up like a coxcomb. Her sleeve is gashed open. She points sloppily toward his office and mumbles, “Kelly…ambulance.”
There’s a roar, and Elsa clutches her briefcase to her chest. They can see the horns and hairy shoulders. The boss is nearly seven feet tall.
Lois sighs and picks up the phone on her desk. “I hope he’s paid up on the workers’ comp policy,” she says.
“That supervisor of yours is a nasty customer,” Gerard says evenly. “Somewhere in Crete a maze is missing its pet.”
Elsa knows she ought to try to find a new job. The monster has too much of a temper, and this sort of thing is happening more often.
It’s Elsa’s mother’s birthday, and she’s been summoned to dinner at her parents’ house, but just being around her family puts Elsa’s stomach in knots. After a Salade Niçoise she couldn’t even choke down, her mother announces that Elsa’s father has bought her a swimming pool for her birthday; they’ll break ground within two weeks. Everyone else is excited. When Elsa doesn’t muster the same enthusiasm as the rest of the family, her father asks what her problem is.
“Dad, you know I can’t swim –”
“No, you won’t swim,” he grouses. “There’s a difference.”
This is technically true. Elsa chooses not to submerge herself in vats of acid, too.
“I should’ve just thrown you into the water when you were little instead of listening to you whine.” He harrumphs, a gargoyle hunkering over his dinner. He and Elsa recall her traumatic first experience with a swimming pool in very different ways. “Faced with sink or swim, I’ll bet you’d have figured out a way to dog paddle.”
Elsa stares at her plate, pushes the food around on it. She nibbles a little at the bacon wrapping the shrimp and has eaten half her wheat roll, but nothing tastes good.
Her sister Joan is there with her husband Neil and their eight-month-old son, Stuart. The evening continues in its typical way: Joan and Neil and Stuart are the stars with their gaiety and antics; Elsa greatly vexes her mother (Why doesn’t she ever go out? Why doesn’t she ever bring friends over at the holidays? Is she ever going to get married?), which makes her father grumble, which makes Joan suggest Elsa do something different with her hair or her clothes or go out more or do something, which makes Neil pay more attention to Stuart, which makes Elsa’s mother say how much she loves grandchildren and would like to have more someday while glaring at her younger daughter.
“Sure, Mother, I’ll have some grandchildren for you. Right after I sprout two more legs and some wings and become a butterfly.”
Everyone becomes quiet then, the family’s frustrated dance around the subject of Elsa’s Plainness stuttering to a halt. Her mother looks wistful, as if she hopes such a transformation might one day come to pass and doesn’t understand why it hasn’t.
Elsa surveys them all: her parents, prominent figures in society, their stateliness exuding from every pore even in the privacy of their home; Neil with his raven coloring; Stuart, soft fuzzy hair on his velvet scalp, just like Joan had when she was young. And then Joan. Tall, graceful, even her freckles a lovely blanket over golden skin. Like her mother, a perfect giraffe.
“Elsa, I have the number of a doctor I want you to call,” her mother says. “One of my friends suggested him.”
“I’ve been to see doctors before,” Elsa reminds her. They examined every inch of her, inside and out, subjected her to the most embarrassing questions ever, but could find no evidence of her animal affinity.
The last doctor, a specialist, recommended shock therapy as a way to bring out Elsa’s true nature. “Your whole life will improve once we figure out what you’ve got hiding away inside of you,” he said, his small black eyes like beads in his ruddy face. “No one will question your intelligence or competence ever again.” He grinned at her with thin lips. “You might even find a boyfriend finally.” At Elsa’s surprised look, he shrugged. “Your dad told me you can’t even get a date. No worries, though. Once we figure out what you are, the whole world will see you in a more favorable light.” He cleared his throat and pinched his prescription pad, began scrawling notes. “I recommend eight to ten sessions –”
“Absolutely not!” Elsa said, tugging the medical gown tighter around herself. She wouldn’t endure some medievally-inspired torture just so her parents could feel better about their unusual kid.
The doctor cast her an indignant look. “Has anything else worked yet? Without an evident affinity, you’re only half your self.”
Elsa leveled an angry look at him that was more fear than backbone. “I’m not interested in shock therapy, thanks.”
“Fine,” the doctor replied coolly. “Enjoy being a Plain One.” Then he left the exam room, closing the door behind him with a little more force than was strictly necessary. Elsa put her clothes back on and left as quickly as she could. Her parents were annoyed with her for that, too.
“He was one of the best, Elsa,” her father said. “I had to pull some strings to get you that appointment. He’s usually booked seven months in advance.”
Elsa still can’t decide whether she appreciates her father’s efforts, or if he simply wanted to reassure himself it wasn’t his fault she’s so deficient. Either way, she knows she isn’t going back.
Dinner ends with a hedonistic dessert to which Joan politely demurs. “Watching my figure,” she says, smiling. As if Joan has to worry about that — she grazes all day and never puts on an ounce. Elsa takes a bite of the mousse cake and finds it delicious. Suddenly she’s hungry, but she hasn’t eaten three bites before Joan stops her. “Seriously? That’ll go straight to your hips.”
Later, when Elsa gathers her purse and keys to go home, she glances back at everyone chatting away and realizes no one is noticing her. The family room — a concoction of Stuart’s toys and Joan’s knitting bag and a book Neil brought over for her father to read — is filled with the presence of Joan’s family. Nothing of Elsa’s anywhere, except for the plain white envelope on the small table by the door. It contains a check, a small monthly supplement because Elsa’s income hasn’t kept pace with the rising cost of living, so that she can have an apartment of her own.
Nights like this, Elsa just knows her parents wish they’d stopped with the first child.
It takes about six months for Elsa’s parents’ pool to be finished. The deck takes another week, and then her parents arrange a pool party to celebrate the start of summer and their new backyard oasis. Elsa receives an invitation in the mail with her monthly check, a subtle but firm reminder that her attendance is expected.
“They could’ve just called me,” she says to Jonas, showing him the card. He swats at it with his front paw and knocks it out of her hand. Despite her attempts to buy his affection with toys and catnip and, those having failed, a tiny mouse that just made her sick when she had to clean its guts off the floor, their relationship has not improved in the last six months any more than her feelings toward her family have.
In fact, very little in her life has changed, but the time has passed quickly because she’s always working. Besides seeing Gerard sometimes, she has no life outside of that horrible job. She hasn’t quit, though, since she isn’t sure she can find another one. Work is thin for Plain Ones, even those who are educated, as she is. In the three employment applications she started to fill out, the box which was once labeled “Special Skills” now asks for “Animal Affinity.” It appears that in a tightening economy, employers can’t afford training people who will never reach their full potential, never understand the world in a complex way, never truly mature.
The monster has gone through three more secretaries. Elsa and Lois have started eating lunch together once or twice a week in the building’s cafeteria, and Elsa finds her laid-back attitude about work soothing, but she isn’t any closer to understanding this woman who’s like a patch of sunlight in the middle of a corral of scurrying, dismal creatures.
Elsa rummages through her dresser to find her bathing suit, to try it on before showing up in it at her parents’ house. She bought one for sunbathing, but that was years ago, and she isn’t sure she can still fit into it.
She finally finds it in the back of the bottom drawer: a glaring purple bikini she grimaces at and decides she’ll replace even if she is still that size. Sure enough, it doesn’t come close to fitting properly. The bottom is too tight and no longer covers her. This is no surprise — she knows women get rounder as they get older — but the top doesn’t fit anymore, either. Elsa never thought her chest would get any larger. It’s always been disappointingly average but now seems to have a certain fullness. The purple top stretches across her breasts obscenely, and she has trouble clasping it shut at the back. Elsa removes the bikini immediately and tosses it into her wastebasket. She takes the clip out of her hair — she can see even despite the tangles it has grown so long while she wasn’t paying attention — and looks at her naked body in the mirror.
“I’ve never been curvy before,” she says quietly with an optimistic smile. She looks across the room to Jonas, lying on the bed. “What do you think, kitty? Time for me to go shopping?”
He rolls over onto his back and turns his head to the wall. She walks toward him and rubs his belly just a little, the hopeful overture of peace an extension of her buoyed spirits. He even begins to purr, but then the wail of sirens a few blocks away interrupts the moment. He bites her hand hard enough to draw blood. She recoils in surprise and anger as he licks his lips repeatedly, staring at her.
It occurs to Elsa that she can make her own social event if she just insists on reserving the time to do it. At lunch on Friday, she invites Lois over for dinner the next weekend.
“My cousin Gerard will be there. He’s the one member of my family I have anything in common with.”
Lois raises her eyebrows.
“We both like seashells and hot chocolate,” Elsa answers.
Lois looks at her in surprise, as if to say, That’s all? Then she smiles, genuinely. “Yes, your party sounds fun. It’s strange, I think I’ve only ever seen you at work.”
Elsa replies slowly. “I’ve been something of a social leper ever since I…started working here.” She moves her corn around her plate. “I’m tired of it.”
Lois thoroughly enjoys a bite of her tuna salad before saying, “Well, it happens to everyone who works for the monster, sooner or later.”
“But not you. You go and do fun things on the weekends, don’t you? And you’ve been working here for as long as I can remember.”
“But I work for the building, not for him, and there’s never any work for a switchboard operator to take home. Besides,” she smiles, “I don’t let things bother me. I let other people’s problems get tangled in my hair during the day and then preen them out at night so I can sleep.”
“I could try that,” sighs Elsa, “but then I still have all these other things to worry about which are my problems.” She takes a bite of her roll.
She feels too embarrassed to tell her co-worker about the ongoing gang attacks in her neighborhood, which for starters isn’t the safest, but which is the best she can do under her present circumstances. The fact that the area is so unsafe is probably the only thing stopping her building association from kicking her out. She doesn’t want to mention her crumbled relationships with her parents and sister, that they lost their patience and renounced their hopes for her when she didn’t blossom into something greater than herself by the time she reached adulthood. She’d in fact rather not acknowledge her Plainness at all. Likewise her fear that she’ll never be better than what she is, and that the world will never forgive her for it.
Lois contemplates Elsa’s face while she chews, then asks, “Why are you still in the cubicle maze, anyway? Haven’t you been working here for years?”
Elsa knows why she hasn’t ever been promoted: her boss is no better than the rest of the world. And although she’s worked her tail off her whole time she’s been here, he still refuses to see her work as equal to that of a fully realized person. But Elsa keeps silent, staring into her food, chewing ever so thoughtfully.
“Hmm,” says Lois, her orange eyes almost narrowing behind her glasses. She looks back down at her plate and then up again with a smile. “So what time shall we get together?”
Lois arrives first. Elsa is still buckling her shoes when the doorbell rings. She hops to the door, nearly tripping over the hem of her long green skirt. She checks her face in the mirror in the hall, noticing for the first time a large crack in the bottom half of the glass. She pushes her hair out of her eyes and opens the door.
“Hi,” says Lois. She looks calm.
“Hi.” They just stare at each other a moment, until Elsa remembers to move out of the doorway. Lois walks in and looks around the apartment, taking in the blue and green tones of the walls and furniture. There are photographs of a younger Elsa here and there, posed with people she doesn’t see much anymore. An antique snorkel collecting dust on the mantelpiece, a nautilus drawing taped to one wall — both things she found years ago in a thrift store and bought because they reminded her of Gerard when he was off at university. Jonas walks right up to Lois and curls, purring, around her legs.
“Hello,” she coos, picking the cat up and nuzzling him.
Elsa stares. “That’s Jonas,” she says.
“He’s sweet.” Lois rubs her face against his; it looks for a moment like Jonas’ whiskers are poking out of Lois’ cheeks. Elsa has never heard such loud purring.
“Do you want him?”
A strange silence as Lois seems to evaluate whether this is a joke. She lets the cat down but he doesn’t run away.
Elsa says, “Make yourself at home. I just need to finish my hair,” and wanders off to her bedroom.
“Take out your barrette,” says Lois, following her. “I’ve never seen your hair down before.” Reluctantly Elsa does; her hair is a mass of tangles falling, falling. “It’s so long! I had no idea.”
“It’s constantly snarled, too. Even after I wash it, I can’t get a brush through it.” She thinks of the way Joan’s hair used to tangle after her swim lessons when they were children, and the way she howled when their mother would yank the knots free with a paddle brush. Frightened by this ritual, Elsa refused to take lessons herself, but now her hair tangles that way, too. “It’s like I’ve always just gotten out of the pool.” She looks at Lois’ smooth copper curls. “I’ve tried keeping it short, but it grows so fast I’d be at the salon every three weeks just keeping it above my shoulders.” And salons are too expensive to frequent that often on her salary. Elsa has tried cutting it herself, but she can’t ever get it even and doesn’t know how to cut layers into it to “work with” its texture.
“No wonder you keep it clipped up.” Lois touches the dark tangles. “What color is this?” she asks quietly.
“I don’t color it. It’s always been this way. Strange, too, because my mother and sister are strawberry blondes.”
“It shines like the moon on the ocean.” Lois gently bats the ends of the tuft she’s been playing with.
“It’s my one unusual feature, and I have to hide it because it’s so messy.”
Lois just looks at her, as if she barely understands. She digs a large-tooth wooden comb out of her purse and begins coaxing the ends of Elsa’s hair. Some of the tangles give way to recognizable curls, but when she stops combing, the hair seizes back into its former mess. Elsa sighs. Lois seems genuinely confused.
“Don’t worry about it,” Elsa says. “I’m used to it.” She puts her hair back up.
Dinner is pleasant. Lois seems very interested in Gerard’s job at the aquarium, which he discusses with candor while keeping a wary eye on Jonas, who seems to be trying to smell him from the comfort of Lois’ lap all evening. When Lois excuses herself to use the bathroom, he says quietly, “I understand what you mean about that cat. Maybe Lois will take him home with her.”
Then sirens blare down the street and they hear the sound of glass breaking at a distance.
“And perhaps you can get a nice Doberman,” he adds.
Over dessert, Elsa mentions her parents have put in a new swimming pool.
“A chlorinated one?” Gerard asks, wrinkling his nose. “So harsh on the skin and hair.”
Elsa invites them both to her parents’ pool party. Lois’ smile fades. “That sounds very nice. But I don’t swim.”
“Oh, well, you don’t have to swim. I don’t. Just come with me, and um, enjoy the festivities.”
“I suppose it wouldn’t be so bad just to sit in the sun for a while.” She clears her throat. “My sister drowned in a river when we were young, and I’ve never been much for water. Pool parties really aren’t my thing.” Quickly she adds, “But I’ll go to keep you company.”
Elsa doesn’t know how to respond. She can say she’s sorry about Lois’ sister, but that feels so typical. What surprises her most is that someone has shared something dramatic and personal with her. Even beyond that, the woman’s life doesn’t seem to have been ruined, only affected, by the event. But then she realizes that if Joan drowned in a river, she might not get all weepy, either.
Gerard asks, “Were you there when it happened?”
The orange eyes look a little distant for half a second, then the dark copper curls bob up and down yes.
“I’m really sorry.”
They nibble in silence until Lois says, “It didn’t seem like a scary place at first. The river just sort of took up space in the middle of a forest. It didn’t look too big, maybe a hundred feet across, but it was mean.” She speaks slowly. “Some people we knew from school called it a ‘silent killer’ because you could never see any movements or hear any disturbances on the surface of the water, but the undercurrents were fierce. And in the rainy season, it could get as deep as twenty feet in some pockets. People would go out there to fish¾there was great fishing there, they said…”
Elsa knows this place; it’s only a couple of hours away. Her stomach turns inexplicably.
“…and they’d slip and fall under the water, be carried out by the undertow. They never came back, not alive. The river just took up space until you got close, and then it started killing people. It wasn’t surprising to hear of at least four people a summer dying.” She clears her throat. “At least it’s a peaceful death. Supposedly the senses dull, like being wrapped in cotton.” She shrugs, affecting nonchalance, but Elsa knows this is probably an act. “I hear it doesn’t hurt at all.”
Elsa has been to this river before. Close to a small salt dome in the hill country, it’s the only salt-water river for thousands of miles, and this makes it something of a tourist novelty. Her roommates in college took her there one weekend for a camping trip; she was coming into the realization that she might be a Plain One and feeling depressed about it, and they thought she might enjoy getting out of town for a while. Being with them was nice, but the notorious river gave her nightmares and they cut their weekend short. After graduation, those friends moved away to other cities, and Elsa doesn’t talk to them anymore. “Why’d your sister go in?”
“We didn’t know any better. It was right after we’d moved from Europe.”
Elsa almost jumps for joy at the subject change. “I didn’t know you lived in Europe! Where?”
Lois smiles softly, understanding. “All over, really. Would you like to hear about it?”
Elsa would. They don’t talk about the river again.
Eventually Lois stands up to leave, and the evening ends. At the door, Gerard has to shove a cloying Jonas away with his foot rather more forcefully than the cat likes. As he leaves, he reminds Elsa to lock all her doors and windows — or perhaps she’d like to stay at his house for a few days?
“No, thanks, I’ll be fine here.”
Reluctantly, he walks to his car and drives away.
* * *
If you enjoyed this excerpt, I hope you’ll head over to SmashWords or Amazon and get a copy. (Good karma if you leave a review at Amazon or Goodreads. Extra good karma to anyone who buys a copy and deposits it into a Little Free Library in your neighborhood.)
And as always, thank you so much for your support!
My family and I spent eight days driving around the US. Well, okay, not eight days entirely in the car. An eight-day vacation in which we drive over a thousand miles to visit my writing partner and friend Sarah’s family in Blacksburg for a few days and then drove over a thousand miles to get home again the next week. We took the opportunity to see a lot of the country we hadn’t been in before and stop in several major southern cities.
But over eight days, we drove about 2,500 miles and experienced (in a variety of ways) the following states: Texas, Louisiana, Mississippi, Georgia, South Carolina, North Carolina, Virginia, Tennessee, and Alabama, and some of them twice in different places. We actually stayed overnight in New Orleans, Atlanta, and Birmingham during our travels, each time arriving in the afternoon early enough to do some interesting stuff (if a little touristy sometimes).
Since my husband wanted to do all the driving, having so much time in the passenger seat of the car let me get a lot of mental work done on a short story I’m currently revising and a novel that’s in rewrites — which was awesome, by the way! — but it also gave me time to make a lot of observations about my immediate environment. So here are some of them, presented as objectively as possible, in no particular order beyond when the observations were made. (I kept a running list as we drove.)
But first go buy my book. Because it’s awesome. (And you don’t even have to take my word for it: check out the reviews on Amazon and Goodreads.)
Please note this discounted sale is for the ebook only. If you want the print version which includes illustrations by Houston artist Lauren Taylor — and oh my goodness, why wouldn’t you?? — you can find it here.
You know how sometimes books will have author’s notes at the beginning? Have you ever read one that told you from the get-go that you should probably not read the book? That it wasn’t really much of a story, and that the author’s army of industry professionals (agent, editor, publisher, etc.) would probably prefer he not say any of this to you at all? That if you hadn’t read any of the author’s other works, this was the exact wrong one to start with?
Last week I read that book: The Slow Regard of Silent Things by Patrick Rothfuss.
I haven’t read Rothfuss’ two novels yet, I will admit, so I was breaking a “rule” as well, and I’m glad I did, because The Slow Regard of Silent Things is a strange and marvelous story that demonstrates in unapologetic, beckoning prose that sometimes rules aren’t as important as we think they are.
This weird tale of Auri, a waif who lives in the tunnels beneath a setting in Rothfuss’ other books, glories in an inexplicable naming system and an outward premise which perhaps doesn’t pay off. With no dialogue and arguably one character, it defies the expectations of what mainstream fiction does and contains. But I think we need more books like that. It’s just one more way of diversifying what’s available in the marketplace.
I don’t want to tell you much about Auri’s story. For one thing, I don’t want to spoil it for you. It’s a quick read, maybe 30,000 words, and part of its magic is in the strange way things are revealed — or not revealed, as the case may be. (It’s definitely a tale for open-minded readers.) But for another thing, I’m not really sure what I would tell you about her story.
Is she an unreliable narrator? Perhaps. Her voice — by which I mean her thoughts — traipse into the realm of mental illness, but in a charmingly benevolent way, if you can imagine. Auri is in some ways a broken girl. But there are moments when I believed it okay: she has found her way in the world, and once I accepted that her world is not my world and that the rules of my world don’t necessarily hold sway in hers, Auri’s differences melted away and I found her to be relatable, and ultimately reliable, too. I found I cared for her tremendously.
Does any of that make sense? Maybe not. Does her story? I’ll let you decide for yourself. I will say that the first few chapters had me bewildered, but I persevered, and on page 84, something so unexpected happened I laughed out loud for several minutes. I couldn’t have appreciated that moment, though, without having first absorbed Auri’s voice and thought process and the mechanics of her daily life. And what followed that funny moment was poignant because, in deft fashion, Rothfuss allows the reader to understand more than the character does in the moment of a scene, and so we can have all the feels while the character has the noble struggle. And he does this without condescending, with patronizing Auri.
Auri’s life is shadowed by past trauma and brightened by future joy. And while it would be a disservice to you for me to explain how the end of the book breaks the rules, I ask you to consider what the rules of story are for. We learn in school that stories must have conflict in order to be stories, and that this conflict must be resolved for the story’s ending to satisfy. But beyond those intelligent guidelines, the details are open to interpretation. If there’s one thing Auri’s story teaches us — both in its details and in its execution — it’s that we can’t always assume that our expectations are fair. And we shouldn’t.
Stories break rules sometimes. They defy expectations, surprise us. They innovate. And if they don’t? They’re not likely to rise to the top of my TBR list.